Miles Davis Nefertiti (1967)

Miles Davis - Nefertiti (1967) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - Nefertiti (1967) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 99 Mb | Scans included | 00:39:16
Hard Bop, Post-Bop, Modal Jazz | Label: Mobile Fidelity Sound Lab/Columbia | # UDSACD 2146

Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes – but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground – such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece – this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines.

Miles Davis - Nefertiti (1967) {1998 Columbia Remaster}  Music

Posted by ruskaval at Jan. 15, 2010
Miles Davis - Nefertiti (1967) {1998 Columbia Remaster}

Miles Davis - Nefertiti (1967) {1998 Columbia Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 444 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb
© 1998 Sony Music / Columbia / Legacy | CK 65681
Jazz / Hard Bop / Post Bop / Modal Music


Miles Davis - Nefertiti (1967) {1998 Columbia Remaster}

NEFERTITI represents the final "straight-ahead" offering by Miles Davis' legendary '60s quintet, the culmination of a creative arc which began with E.S.P.. On four subsequent albums–MILES IN THE SKY, FILLES DE KILIMANJARO, IN A SILENT WAY and BITCHES BREW–Davis forged a fresh creative arc in which he allowed elements of electronics, blues, funk and rock to intermingle with his own post-modernist sensibility to launch the jazz-rock fusion era.

NEFERTITI was the fruition of all Davis' experiments in free form, bebop, cool and modal jazz. Davis's signature as an improviser and musical editor is writ large on each composition, particularly in the provocative use of space. On Shorter's famous title tune, the trumpet and tenor saxophone shadow each other's line in a deliberately inexact manner, almost like a form of silkscreening, as Hancock's piano tolls away suggestively and Tony Williams drops percussive grenades all over the canvas–as if the drums were the lead voice (and don't think they aren't).
Miles Davis - Sorcerer (1967) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - Sorcerer (1967) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 240 Mb | Mp3 (CBR320) ~ 101 Mb | Scans included | 00:40:24
Post-Bop, Modal Music, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2145

Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles – this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors – it all merges together, pointing toward the dense soundscapes of Miles' later '60s work.

Miles Davis – Nefertiti (repost)  Music

Posted by coster1906 at Feb. 6, 2009
Miles Davis – Nefertiti (repost)

Miles Davis – Nefertiti (1967)
Jazz | APE (tracks-cue-log-scans) 240 MB (incl 5%) | MP3 (320Kbs-log-scans) 94 MB (incl 5%) | Columbia CK-46113 | 1967 | 39:12

Nefertiti is a mysterious, mellifluous, enduring classic.

Miles Davis - Miles in the Sky (1968) [MFSL Remastered 2016]  Music

Posted by Designol at July 22, 2017
Miles Davis - Miles in the Sky (1968) [MFSL Remastered 2016]

Miles Davis - Miles in the Sky (1968) [MFSL Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 325 Mb | Mp3 (CBR320) ~ 130 Mb | Scans included
Fusion, Post-Bop | Label: Mobile Fidelity Sound Lab | # UDSACD 2147 | 00:51:13

Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis’ fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader’s first venture into what would become fusion, it’s historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort. Laden with rich textures and style-bridging elements, Mobile Fidelity’s SACD brings the aural magic into focus. Mastered from the original master tapes, this collectable audiophile version of Miles in the Sky joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity.

Miles Davis - On The Corner (1972) [MFSL Remastered 2016]  Music

Posted by Designol at July 21, 2017
Miles Davis - On The Corner (1972) [MFSL Remastered 2016]

Miles Davis - On The Corner (1972) [MFSL Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 369 Mb | Mp3 (CBR320) ~ 138 Mb | Scans included | 00:54:55
Fusion, Jazz-Funk, Jazz-Rock | Label: Mobile Fidelity Sound Lab | # UDSACD 2171

On the Corner is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded in June and July 1972, and released later that year by Columbia Records. The album continued Davis' exploration of jazz fusion, bringing together funk rhythms with the influence of experimental composer Karlheinz Stockhausen and free jazz saxophonist Ornette Coleman. Recording sessions for the album featured a changing lineup of musicians including bassist Michael Henderson, guitarist John McLaughlin, and keyboardist Herbie Hancock, with Davis playing the electric organ more prominently than his trumpet.
Miles Davis - E.S.P. (1965) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - E.S.P. (1965) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Hard Bop, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2170 | 00:48:36

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet – saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams – gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories – a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality – they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant.
Miles Davis - My Funny Valentine (1965) [MFSL Remastered 2014] Audio CD Layer

Miles Davis - My Funny Valentine (1965) [MFSL Remastered 2014]
EAC | FLAC | Tracks (Cue&Log) ~ 366 Mb | Mp3 (CBR320) ~ 158 Mb | Scans included | 01:03:53
Hard Bop, Cool, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2141

Miles Davis' concert of February 12, 1964, was divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (specifically, "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. This hour-long LP complements the up-tempo romps of Four & More.

Miles Davis - Nefertiti (1968) [MFSL 2015] PS3 ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at Sept. 12, 2015
Miles Davis - Nefertiti (1968) [MFSL 2015] PS3 ISO + Hi-Res FLAC

Miles Davis - Nefertiti (1968) [MFSL 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:16 minutes | Scans included | 1,16 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 813 MB
Mobile Fidelity Sound Lab # UDSACD 2146

Miles Davis - Sorcerer (1967) [MFSL 2015] PS3 ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at Aug. 4, 2015
Miles Davis - Sorcerer (1967) [MFSL 2015] PS3 ISO + Hi-Res FLAC

Miles Davis - Sorcerer (1967) [MFSL 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:24 minutes | Scans included | 1,19 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 832 MB
Mobile Fidelity Sound Lab # UDSACD 2145