In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to Africa with the Oklahoma cowboy Gregg to bring attractions to his new night-club in Hollywood. They capture several lions and out of blue, they see a huge gorilla nearby their camping and they try to capture the animal. However, the teenager Jill Young stops the men that intended to kill her gorilla.
Great album as Mighty Joe Young performs live in Chicago in 1972 with his crack South Side Band,…..
Soporific album debut for the Chicago guitarist — only seven songs, many of them way too long (10:40 of "Somebody Loan Me a Dime" being the worst offender), that sport little of the excitement of Young's '60s 45s for a variety of local firms. Young doesn't sound like he was prepared for the opportunity, and the stiff two-piece horn section doesn't help either.
For much of the 1970s and '80s, guitarist Mighty Joe Young "owned" Chicago's cozy Wise Fools Pub — at least musically speaking. He was the club's top draw, but this live disc, caught at the late and still-lamented Wise Fools, finds him sticking to the tiredest of warhorses. "Stormy Monday," "Turning Point," "That's All Right," and "I Can't Quit You Baby" may have wowed the homefolks, but they don't hold up all that well when transferred to the digital format. Young's quartet features Freddie King's brother, Benny Turner, on bass, and Lafayette Leake on piano.
Not exactly the most incendiary outing that Chicago guitarist Mighty Joe Young has ever cut. This 1976 album was cut in France for Black & Blue with a handful of Chicago stalwarts,…..
Mighty Joe Young (Young was using the name well before the movie of the same name was released) arrived on the Chicago blues scene from Louisiana a bit late in the game and never really received the critical attention he deserved. Add in health problems related to a pinched nerve in his neck, and Young's solo recording dates were relatively few (he was, however, an active sideman, working for a time as Otis Rush's rhythm guitarist) given his obvious talent as an electric guitarist and as a strong and sturdy vocalist. This solid set, The Sonet Blues Story, was tracked in Chicago in 1972 and was originally released as part of Samuel Charters' Legacy of the Blues series on the Stockholm-based Sonet Records imprint. It features Young with the rhythm section from his club band at the time: Sylvester Boines on bass and Alvino Bennett on drums, along with Chicago session pianist Bob Reidy, and horn men Charles Beechham (trumpet) and Walter Hambrick (tenor sax). Together they produce a classic South Side sound. Highlights include the elegantly done opener, "Rock Me Baby," a solid cover of Percy Mayfield's "Baby, Please," and a pair of horn-augmented gems, the instrumental soul piece "Just a Minute" and the blues/R&B blend of "Lookin' for You." Nothing here is too flashy, but that ends up being part of the charm. - Steve Leggett (AMG)