Michael Nyman came of age as a classical composer in the radical London of the late '60s. His work embraces multiple vernaculars (jazz, avant garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman's score to Jane Campion's film The Piano made him a star. The movie's themes of colonialism and silence (its protagonist, portrayed by Holly Hunter, cannot speak) were perfectly aligned with his longtime interests in world and ambient music. Horn players assist members of the Munich Philharmonic Orchestra in fleshing out Nyman's stately, hymn-like motifs. On the more heavily orchestrated cues, sentimentality wins out over minimalist restraint; the best tracks feature Nyman on solo piano, playing the rudimentary, faux period repertoire of Hunter's character.
For this, his seventh soundtrack for director Peter Greenaway, Nyman deftly orchestrates a mix of strings, horns, and voices to produce another of his fetching and romantic minimalist backdrops. The opening "Memorial" is the highlight of the lot and drives along with stuttering saxophones, an insistent string arrangement, elegiac brass solos, and the soaring vocals of soprano Sarah Leonard (Leonard would be featured on a large part of the Prospero's Books soundtrack). The piece was originally inspired by a 1985 Belgian soccer match tragedy, in which 39 Italian fans were killed. Nyman utilized a death march in his earlier Greenaway collaboration, Drowning by Numbers, and revives the scheme to great effect here for what would become the main theme of The Cook, the Thief, His Wife, and Her Lover. Nyman contrasts the piece's climatic quality with two relatively sedate yet brooding numbers.
Michael Nyman (born 1944) is one of the most famous and successful film music composers of our time. His music, although inextricably connected with the visual action of a film, has the quality to stand on its own, to evoke and express the visual emotions in sounds only. Nyman’s most famous film score is of the film “The Piano” , becoming an instant hit. Its openness and its deceptively simple musical lines appealed to a mass audience. The music featured on this recording is either originally written for piano or arranged by the composer himself. Minimal Music champion Jeroen van Veen has been fascinated by Nyman’s music his whole life, and the recording of it was a logical step. He is the ideal interpreter of this seductive, mind opening music.
This unusual collection is dedicated to the very popular style: minimal music. Over the years this has evolved from austere, almost strict repetition with tiny movements to a more varied and free approach to material and technique. This set includes works for piano solo by most of the famous minimal composers. Starting with initiator, if you will, Cage, and followed by the first generation entirely devoting itself to this style: Riley and Glass. The next generation is represented by John Adams and Michael Nyman. Dutch pianist Jeroen van Veen is fascinated by minimal music.