Guitarist Michael Musillami composed the music for this program in the wake of his son Evan's death. The fact that it's measured and profoundly beautiful is testament to what music can do, and the fact that it's so superbly realized comes down to the fact that this trio is supremely empathetic. Five recordings to date are testament to why this is, and of these this is arguably the one that hits the spot most resoundingly.
Building on their work from the BBC detective show's two previous seasons, veteran composers David Arnold (James Bond) and Michael Price (Band of Brothers) offer up 23 more tracks of playful suspense on Sherlock: Music from Series Three. Employing a subtle blend of electro-infused themes, classically inclined mood pieces, and atmospheric piano backdrops, they've again found a way to complement the show's portrayal of Sherlock Holmes and John Watson in a modern, tech-savvy world with nods to both the character's and Britain's history. Working with a script that begins with Holmes' resurrection following Series Two's apparent suicide cliffhanger, there was plenty of tension and conspiratorial whimsy to inspire the new score, which introduces new thematic elements (Holmes' wedding gift composition "Waltz for John and Mary") while making well-placed references to the show's main running themes (the grandeur of "#SherlockLives" and the playfully techno "Stag Night"). Compelling on all fronts, the Sherlock series is a classy production and the musical score remains in good hands thanks to Arnold and Price.