The title of this Howard Rumsey date referred to the Lighthouse jazz club, where Rumsey (bass) was a regular with his various Lighthouse All-Stars. Although a good enough bassist to play with Stan Kenton's big band, Howard Rumsey's main importance was as the organizer of the Lighthouse All-Stars and manager of the Lighthouse. Originally a drummer, Rumsey switched to bass while at college. He played with Vido Musso in the late '30s, and when Stan Kenton formed his first band in 1941, Rumsey became its bassist. A year later he started freelancing in the Los Angeles area.
Altoist Charlie Mariano plays very much in a Charlie Parker style on these early recordings from Boston (eight from 1951 and six from 1953), but his arrangements for the octet (six of the pieces from the former session) are quite original and unpredictable; only trumpeter Joe Gordon among the otherwise obscure personnel ever gained much recognition. The later six selections match Mariano with trumpeter Herb Pomeroy and the brilliant pianist Dick Twardzik in a quintet; Twardzik, with his odd mixture of Bud Powell and Lennie Tristano, consistently steals the show. A historical and generally enjoyable set, it's recommended for bop fans.
The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. Founded by Don Wilson and Bob Bogle, the group in its various incarnations has had an enduring impact on the development of music worldwide. With over 100 million records sold, the group is the best-selling instrumental band of all time. In 2008, the Ventures were inducted into the Rock and Roll Hall of Fame…
Many musicians lived and were musically active during multiple jazz periods, and some of them actually made significant contributions during all of the periods during which they recorded. But few can claim, as Miles Davis could, to have actually helped design the architecture in every case. Bebop, cool, and fusion all have Davis' handprints deep in the cement of their foundations, and this disc documents some of his best work during the second of those periods. In the mid-'50s he started what would be a tumultuous musical relationship with John Coltrane, and what would eventually become one of the greatest combos in jazz history began to coalesce: alto saxophonist Cannonball Adderley, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones in addition to Davis and Coltrane.