Message queues are a core technology for building fast, reliable systems. This course teaches the fundamental messaging patterns with practical .NET implementations using MSMQ, ZeroMQ, cloud message queues, and WebSphere MQ.
For about a year after the Woodstock Music and Art Fair in 1969, it seemed as though everyone wanted to stage a rock festival. However, The Rolling Stones' disastrous Altamont free concert (documented in the film Gimme Shelter) forever tarnished the image of the rock festival in the U.S., while in Europe, the 1970 Isle of Wight Festival was fortunately less deadly than Altamont, but nearly as controversial. Staged by two men with greater ambitions than practical experience (not unlike Woodstock), the festival was held on a small island off the British coast, where some of the finest rock talent of the day – Jimi Hendrix, The Doors, The Who, Miles Davis, Joni Mitchell, Donovan, Jethro Tull, Joan Baez, Leonard Cohen, and Kris Kristofferson, among many others – were scheduled to play over the course of five days.
By his own admission, emotion is central to the music of Peteris Vasks, though his intense outpourings are far from amorphous or undisciplined rhapsodies. Rather, his most passionate works are tempered by an appreciation of tradition and a practical awareness of instrumental techniques, timbres, and orchestral textures. Neo-Romanticism plainly dominates Vasks' works from the last quarter of the twentieth century, and this is revealed in the quasi-Mahlerian essays for string orchestra, Cantabile (1979) and Musica dolorosa (1983), the lush and brilliantly orchestrated Cor Anglais Concerto (1989), and the aspiring, suspension-filled Lauda (1986).
The world music-minded producer Bill Laswell gets a hold of Pharoah Sanders here and lo, the sleeping volcano erupts with one of his most fulfilling albums in many a year. Message From Home is rooted in, but not exclusively devoted to, African idioms, as the overpowering hip-hop groove of "Our Roots (Began In Africa)" points out. But the record really develops into something special when Sanders pits his mighty tenor sound against the pan-African beats, like the ecstatically joyful rhythms of "Tomoki" and the poised, percolating fusion of American country & western drums and Nigerian juju guitar riffs on "Country Mile."