Oregon native Meredith Brooks returns with the follow-up to her 1997 smash release Blurring the Edges with Deconstruction. This time working with producer Dave Darling, Brooks delivers another pleasant if somewhat derivative helping of adult rock but fails to come up with anything that is likely to command the heavy airplay of "Bitch." Deconstruction leads off with "Shout," a slice of noise-pop that sounds a bit like the Breeders, before she tackles a cover of Melanie's Woodstock-era anthem "Lay Down (Candles in the Rain)." It's a punchy version that benefits from an appearance by Queen Latifah who adds some updated lyrics.
A fun, adventuresome 60-minute flow that builds up to a few advanced poses and sequences including a vashistasana to hanumanasana transition and the arm balance titibasana.
“Songs of Ascension” is a major new recording from composer Meredith Monk and her vocal ensemble. Written in 2008, it is conceived as a continuous composition, a departure from Monk’s earlier collaged or episodic extended works. In recent years Meredith Monk’s been expanding into the worlds of orchestra and string quartet. On “Songs of Ascension” she teams up with a string quartet of New York players well versed in new music. With winds, percussion and two vocal groups added to her already extraordinary singers, this is one of Monk’s most musically ambitious ventures. Voices and instruments are paired and balanced against each other to an extent rare in her music.