Oregon native Meredith Brooks returns with the follow-up to her 1997 smash release Blurring the Edges with Deconstruction. This time working with producer Dave Darling, Brooks delivers another pleasant if somewhat derivative helping of adult rock but fails to come up with anything that is likely to command the heavy airplay of "Bitch." Deconstruction leads off with "Shout," a slice of noise-pop that sounds a bit like the Breeders, before she tackles a cover of Melanie's Woodstock-era anthem "Lay Down (Candles in the Rain)." It's a punchy version that benefits from an appearance by Queen Latifah who adds some updated lyrics.
A mid-century doctor's raw, unvarnished account of his own descent into madness, and his daughter's attempt to piece his life back together and make sense of her own. Texas-born and Harvard-educated, Dr. Perry Baird was a rising medical star in the late 1920s and 1930s. Early in his career, ahead of his time, he grew fascinated with identifying the biochemical root of manic depression, just as he began to suffer from it himself. By the time the results of his groundbreaking experiments were published, Dr. Baird had been institutionalized multiple times, his medical license revoked, and his wife and daughters estranged. He later received a lobotomy and died from a consequent seizure, his research incomplete, his achievements unrecognized.