The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements.
The set was completed by 1720, but was only published in 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's Sonatas and Partitas are an essential part of the violin repertoire, and they are frequently performed and recorded.
Admirers of Sir Yehudi Menuhin will be pleased to have this compilation of his early stereo recordings of the major violin concertos. I have always enjoyed his version of the Bach Double Concerto with Christian Ferras; it rightly dominated the catalogue throughout the 1960s, and the spirited baroque vitality of the performance, plus a beautifully judged central Largo, give great satisfaction. Moreover, it demonstrates what a good sound balance Peter Andry and Neville Boyling could achieve in London's Kingsway Hall in 1959.
Niccolò Paganini was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His Caprice No. 24 in A minor, Op. 1, is among the best known of his compositions, and has served as an inspiration for many prominent composers.
For a single-package introduction to the music of William Walton, it would be hard to do better than this two-disc set from EMI. Not only is the selection impeccable (including the First Symphony, Belshazzar's Feast, the violin and viola concertos, plus the Partita, for orchestra), but the performances, with the composer conducting, are, for all intents and purposes, definitive.
Renowned, American born violinist & conductor, Yehudi Menuhin was a vegetarian and committed supporter of many social and environmental causes, with a great interest in Yoga and eastern religion. He was considered one of the greatest violinist of all time and this EMI recording of "Violin Voncertos by Vivaldi" is an excellent introduction to his work Performed by the Polish Chamber Orchestra.
Bach's music was central to the life and career of Yehudi Menuhin and the violonist is captured in his full early bloom in these performances from the 1930s. Joining the teenage Menuhin in the first and most celebrated of his four recordings of the concerto for Two Violins is his teacher and mentor, George Enescu.
The Complete Recordings with Hephzibah Menuhin traces Menuhin's close and inspiring relationship with his pianist sister - a distinguished artist in her own right - through studio and live performances, CD premieres, and first-time releases.
The Menuhin Century commemorates the 100th anniversary of his birth on 22 April 1916.These recordings depict Menuhin as a maker of musical history and place him in the context of momentous historical events.
Between his birth in New York on 22 April 1916 and his death in Berlin on 12 March 1999, Yehudi Menuhin, the son of humble Russian immigrants, grew from a brilliant child prodigy violinist, who made his public concert début in San Francisco in 1924, aged just 7, into not just one of the 20th century s finest and most celebrated artists (as a conductor as well as a soloist), but also a peace campaigner, civil rights activist, spiritual guru and revered senior statesman of the musical world, who ended his days as the Right Honourable the Lord Menuhin of Stoke d Abernon, with a seat in the House of Lords, yet also found time to establish two music schools, a violin competition and an international scheme for taking music out of the concert hall and into the wider community.