From an early age Max Bruch had enjoyed the ideal conditions for becoming a composer: his family had considerable cultural awareness and gave him all the support he needed. He had already composed not only a (lost) symphony but a significant proportion of his chamber music while still a student. The two youthful String Quartets Op.9 in C minor and Op.10 in E major show a Romantic exuberance poured into classic and classical moulds. The members of the ISOS Quartet — Isabelle van Keulen, Katharine Gowers, Vladimir Mendelssohn and Imke Frank — know each other from several important summer festivals as Lockenhaus and Kuhmo. As their CD debut, they recorded both string quartets by Max Bruch exclusively for Koch International Schwann.
Schubert's 'Death and the Maiden' Quartet is now available on Blu-Ray, DVD and HD video to download. The concert includes the early quartets in D Major D74 and B-flat Major D68 as well as the monumental 'Death and the Maiden' D810, and it's the first release of the Cuarteto Casals' five disc set of live performances of the complete quartets of Franz Schubert…
Franz Liszt, writing about Grieg's String Quartet No 1, declared: 'It is long time since I have encountered a new composition, especially a string quartet, which has intrigued me as greatly as this distinctive and admirable work by Grieg'. Grieg himself said that his quartet '… aims at breadth; to soar, and above all at a vigorous sound for the instruments for which it is written.' In 1891, Edvard Grieg started his second quartet, but sadly lacked inspiration and time to finish the last two movements. Levon Chilingirian of the Chilingirian Quartet has studied the original manuscripts of the first two movements (which have many clarifying instructions added by Julius Röntgen in preparation for their printing by C F Peters in 1908) and prepared the third and fourth movements especially for this recording. This is therefore a first recording of the completed String Quartet No 2.
In his 16 quartets for two violins, viola, and cello, Beethoven created a Mount Everest for string players and some of the most sublime, unforgettable music ever written. Continuing to astound listeners after 200 years, these glorious quartets give voice to the innermost landscape of the human heart and spirit. They stand, like Michelangelo's statues or the plays of Shakespeare, at the pinnacle of Western art.
The first of the Artemis Quartet’s Virgin Classics CDs of Beethoven Quartets was released in Autumn 2005. Now, nearly six years later, the complete Beethoven cycle becomes available in a box of 7 CDs which includes two previously unreleased items: the quartet No 10, op 74, known as the ‘Harp’, and a transcription for string quartet, proudly made by Beethoven himself, of the Piano Sonata No 9, op 14.
This limited edition for the Haydn Bi-Centenary is a bargin price reissue of renowned Aeolian Quartet recordings from the 1970's. They are brilliantly played the late analogue sound has been well remastered by Decca. It is strange there are so few complete recordings of these quartets as the music is quite superb. From the early 'divertimento' type pieces through to the profound later works there is never a dull moment.
In 1827, when writing his Quartet in A minor, Op.13, the 18-year-old Felix Mendelssohn was especially interested in Beethovens late quartets at a time when these works were generally written off as confused fantasies of a deaf musician. Mendelssohn's debt to Beethoven is evident in the important role of polyphonic techniques, particularly in the focus on cyclical connections between movements. Ten years on, Mendelssohn composed the three quartets, Op. 44, the D major quartet that closes the present disc the last of these to be completed; on publication, however, Mendelssohn placed it first in the set. Besides the seven complete quartets, Mendelssohn also wrote four individual string quartet movements. These were gathered together and published posthumously as op. 81, and on this second volume of their complete Mendelssohn cycle the Escher Quartet perform two of these pieces, both conceived in August 1847, shortly before the composers death.