Fearsomely talented Swedish clarinetist Martin Fröst continues his conquest of the major concerto repertoire for his instrument with this recording of Carl Nielsen's 1928 Clarinet Concerto, paired with a new concerto by Finland's Kalevi Aho. The Nielsen concerto is a dense work in which the clarinet and the orchestra spend a lot of time going their separate ways, with the path of the clarinet being very twisted indeed.
Too often, CDs that are mostly originals offer more preening than melody. This isn't the case with The Soccerball, a delightful collection that is 76.9-percent original and 100-percent interesting. Bill Mays, Martin Wind, and Matt Wilson have recorded together before, notably on Out in PA, another fine showcase for the trio's compositional talents. Here Peter Weniger brings his soulful, funky, tenor voice to their explorations, which sometimes involve tinkering with familiar themes: the joyous title tune is loosely based on the chord progressions of Nat Adderley's "Work Song," while Weniger's "Garrigue" is an inversion on the changes of "What Is This Thing Called Love?"