When a headstrong chef takes charge of her equally stubborn 8-year-old niece, the tensions between them mount… until an Italian sous-chef arrives to lighten the mood. Such a fine balance of humor and feeling is rare, superb performances from a wonderful ensemble of German actors (so sad that an international audience does not get to see more of these fine performers), great script, virtually flawless direction–what more do you want from a film?
Pianists Martha Argerich and Nelson Freire are stupendous virtuosos, and there's nothing in this recording of their 2009 Salzburg recital of staggeringly difficult works they cannot play. They know each other so well as old duo piano partners that their playing is stunning in its unity, but their distinctive individuality also comes across. What's most impressive about this recital is how completely Argerich and Freire have made this music their own. Brahms' Haydn Variations sound freer and fresher, more playful, and more profound than ever. Rachmaninov's Symphonic Dances are thrillingly rhapsodic, rapturous, and dramatic. Schubert's Grand Rondeau is more lyrical, intimate, and graceful than usual, and Ravel's La Valse more ecstatic and apocalyptically over-the-top frightening than in any comparable recordings, including Argerich's own earlier releases. Captured in wonderfully clear yet wholly present digital sound, the performances on this disc will be compulsory listening for anyone who loves music, any music.
“Unquestionably one of the greatest pianists of all time” is how Gramophone magazine has described Martha Argerich. Her relationship with Warner Classics goes back to 1965 and her victory at the International Chopin Competition in Warsaw. Over several decades it has produced a rich catalogue of live and studio recordings, embracing a repertoire that spans three centuries, a diversity of genres, and collaborations with such figures as Renaud Capuçon, Charles Dutoit, Nelson Freire, Nikolaus Harnoncourt, Gidon Kremer, Mischa Maisky and Itzhak Perlman.
Collection includes: Simple Things (2001, US Bonus tracks Edition), When It Falls (2004, US), The Garden (2006 US and Japanese Edition) and Yeah Ghost (2009, US).
Volume 3 in the series with the complete orchestral works of Ludwig van Beethoven is ready from the Swedish Chamber Orchestra and its music director since 1997, Thomas Dausgaard. The piano concertos are true gems of the classical canon, as Beethoven was an expert both in the art of writing for the orchestra and himself a master pianist. Russian pianist Boris Beresovsky (b.1969) is such a wizard. At the age of 21 he won the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow. It is a privilege to hear how the combination Berezovsky and Dausgaard/SwCO really hit it of in this music. They are enjoying themselves, surprising each other, challenging and courteous at the same time. The sounding result speaks for itself.
Notoriously obsessive director Michael Mann and star Will Smith devoted nearly two years and over 100 million dollars from the coffers of Columbia Pictures and other financiers to creating this biography of boxing great Muhammad Ali, which focuses on the ten-year period of 1964-1974. In that time, the brash, motor-mouthed athlete quickly dominates his sport, meets and marries his first wife (Jada Pinkett-Smith), converts to Islam (changing his name from Cassius Clay), and defies the United States government by refusing to submit to military conscription for duty in Vietnam. His world heavyweight champion title thus stripped from him entirely for political reasons, the champ sets about to win back his crown, culminating in a legendary unification bout against George Foreman (Charles Shufford) in Zaire, dubbed the "Rumble in the Jungle." In his travels, Ali becomes a symbol of power to disenfranchised African-Americans everywhere and meets such luminaries as Malcolm X (Mario Van Peebles), Martin Luther King Jr. (LeVar Burton) and Maya Angelou (Martha Edgerton).
Given the Beatles' fondness for covering Motown favorites like "Please Mr. Postman," "Money (That's What I Want)" and "You Really Got a Hold on Me," it was only logical that Motown stars like the Supremes, the Four Tops and Stevie Wonder would also cover the Fab Four as well, albeit to varying degrees of success. It's telling that none of the17 tracks collected on Motown Milestones: Motown Meets the Beatles were major hits, as most seem like filler in comparison to the individual acts' best-known performances of the day; only Stevie Wonder's driving "We Can Work It Out" and Marvin Gaye's gossamer reading