Marschner: Der Vampyr

Wolfgang Hohlbein - Die Chronik der Unsterblichen 2 - Der Vampyr  eBooks & eLearning

Posted by thingska at Jan. 13, 2011
Wolfgang Hohlbein - Die Chronik der Unsterblichen 2 - Der Vampyr

Wolfgang Hohlbein - Die Chronik der Unsterblichen 2 - Der Vampyr
Genre: Fantasy | Time: 07:48:00 | Publisher: Lubbe Audio | ISBN: 3785736673 | 11. November 2008
Language: Deutsch | Audiobook in MP3 / 192 kbps | 376.42 MB | FileServe, Filesonic

Osteuropa im 15. Jahrhundert. Als der Inquisitor den Befehl gibt, die Hexen zu verbrennen, besiegelt er damit auch Andrejs Schicksal. Eben noch zum erbitterten Kampf gegen den grausamen Piratenkapitän Abu Dun gezwungen, muss er nun Seite an Seite mit dem schwarzen Riesen gegen eine viel schrecklichere Gefahr kämpfen. Plötzlich stehen nicht nur sein Leben und das seines Schützlings Frederic auf dem Spiel, sondern das Schicksal ganz Transsilvaniens ═ und damit auch das seiner geliebten Maria, die zum Spielball fi nsterer Mächte zu werden droht.
Heinrich Marschner (1795-1851) - Steven Kimbrough - Lieder und Balladen / Love Songs & Ballads (2000)

Heinrich Marschner (1795-1851) - Lieder und Balladen / Love Songs & Ballads
Steven Kimbrough, Baritone / Dalton Baldwin, Piano
EAC+LOG+CUE | FLAC: 244 MB | Full Artwork: 65 MB | 5% Recovery Info
Label/Cat#: Koch-Schwann # 3-6742-2 | Country/Year: Germany 2000
Genre: Classical | Style: Romantic, Vocal, Lieder

Heinrich August Marschner was the most important composer of German opera between Weber and Wagner. To the extent that he is still remembered, it is largely for his operas Hans Heiling (1833), Der Vampyr (1828), and Der Templer und die Jüdin (1829), extremely popular in his lifetime. Marschner’s ability to depict supernatural horror by musical means is especially evident in the first two operas as well as in some of his ballads, such as "Die Monduhr". Next to his operas, Marschner's most significant musical contribution is to the Lied. The best of his works in this form are comparable with those by Carl Loewe.

Wolfgang Hohlbein - Die Chronik der Unsterblichen - Band 1-4  eBooks & eLearning

Posted by thingska at April 19, 2013
Wolfgang Hohlbein - Die Chronik der Unsterblichen - Band 1-4

Wolfgang Hohlbein - Die Chronik der Unsterblichen - Band 1-4
Time: ~18 Stunden | Publisher: Lubbe Audio | 2008-2009 | Language: Deutsch | Audiobook in MP3 / 128-192 kbps | ~1.7 GB

Wolfgang Hohlbein ist es mit diesem Mehrteiler gelungen den Hörer von der ersten Seite des 1. Bandes bis hin zur letzten Seite des 4. Bandes zu fesseln. Man leidet und freut sich mit den Protagonisten der Geschichte mit. Da Andrej bis zum Schluss nicht die Antwort auf seine Frage findet, wird die Phantasie des Hörers angeregt. Die Situationen sind so klar erzählt dass man sich in die Geschichte hinein versetzten kann und mit voller Begeisterung mit dabei ist. Die Storie ist einfach brilliant und das Ende macht Appetit auf den nächsten Teil. Insgesammt ein sehr stimmungsvoller Roman, der einen nicht mehr los lässt.
Vampyr / Der Traum des Allan Grey (1932) [The Criterion Collection #437] [REPOST]

Vampyr / Der Traum des Allan Grey (1932) [The Criterion Collection #437] [REPOST]
DVD9+DVD5 | VIDEO_TS | NTSC | 4:3 | 720x480 | 7200 kbps | 11.7Gb
Audio: German AC3 1.0 @ 192 Kbps | Subtitles : English
01:13:00 | Germany | Fantasy, Horror

Young traveller Allan Grey arrives in a remote castle and starts seeing weird, inexplicable sights (a man whose shadow has a life of its own, a mysterious scythe-bearing figure tolling a bell, a terrifying dream of his own burial). Things come to a head when one of the daughters of the lord of the castle succumbs to anaemia - or is it something more sinister?
Marschner Heinrich - Hans Heiling (Renato Palumbo, Markus Werba, Anna Caterina Antonacci) [2005] RE-UPLOAD

Marschner Heinrich - Hans Heiling (Renato Palumbo, Markus Werba, Anna Caterina Antonacci) [2005]
NTSC 4:3 (720x480) VBR | Deutsch (LPCM, 2 ch); (Dolby AC3, 6 ch); (DTS, 6 ch) | 4,11+4,85Gb (DVD5+DVD9)
Classical | Label: Dynamic | Sub: Italiano, English, Francais, Deutsch, Espanol | 147 min

…Heinrich Marschner's operatic oeuvre presents us with a constant reminder of the great German operatic tradition that preceded him and the glorious one that followed him. It is commonplace to regard Marschner (1795-1861) as the most important composer of German romantic opera between Weber and Wagner–a not-so-enviable position, especially considering the debates on romantic opera that flared up in the nineteenth century. E. T. A. Hoffmann regarded romantic opera as the "only true one, for only in the realm of romanticism is music at home." Hoffmann's aesthetics of opera were allegorically presented in his 1813 essay Der Dichter und der Komponist ("The Poet and the Composer"), later included in his Serapionsbruder…
Die bitteren Tranen der Petra von Kant / The Bitter Tears of Petra von Kant (1972) [Criterion Collection]

Die bitteren Tranen der Petra von Kant / The Bitter Tears of Petra von Kant (1972) [Criterion Collection #740]
DVD Video, 2 x DVD9 | NTSC 4:3 | 720x480 | 2hr 04mn | 7.61 Gb + 7.26 Gb
German: Dolby AC3, 1 ch
Subtitles: English
Genre: Drama, Romance

Petra von Kant is a successful fashion designer – arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in. The rest of the film deals with the emotions of this affair and its aftermath. Fassbinder tells his story in a series of 5 or 6 long scenes with extended uses of a single camera shot and deep focus.
Cedric Pescia - J.S. Bach: Die Kunst der Fuge (2014) [Official Digital Download 24/96]

Cedric Pescia - J.S. Bach: Die Kunst der Fuge (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 99:03 minutes | 1.51 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Harpsichordist Gustav Leonhardt said that Bach had written his Art of Fugue for himself, without thought of performing it on any instrument in particular. In the presence of a speculative work, every musician is free to chisel the perfect lines of polyphony as he or she chooses. Up to the final canon, which continues to pose the question of its incompletion. It is the Franco-Swiss pianist Cédric Pescia, with his subtle, understated playing, who will make this sublime score sing. But he will do so on an untempered piano, which is hardly banal! After a first æon disc devoted to Cage, which created a tremendous stir, Cédric Pescia deploys a low-key art in Bach, a sense of rhythm combined with a rubato of extreme subtlety and an inventiveness in the phrasings and ornaments, both flowing and sharp, that have no equivalent in the discography. Such relief, such life!

Vampyr 2 Volumes  Comics

Posted by Lebedev30 at April 27, 2017
Vampyr 2 Volumes

Vampyr 2 Volumes
Danish | CBR/CBZ | 2 Volumes | 66.6 Mb
Staatskapelle Dresden, Carlos Kleiber - Weber: Der Freischutz (1998)

Staatskapelle Dresden, Carlos Kleiber - Weber: Der Freischutz (1998)
EAC | FLAC (image+.cue, log) | Covers Included | 02:09:42 | 521 MB
Genre: Classical, Opera | Label: Deutsche Grammophon | Catalog: 415 432-2

Der Freischutz is one of the great milestones in the history of opera. The resounding success of its premiere in 1821 practically made it a manifesto for German Romantic opera, one that would become a significant formative influence on Wagner. Although it has its roots in the Singspiel tradition exemplified by Mozart's Die Zauberflote, Der Freischutz cut new ground with its potent mixture of supernatural elements, dreams, folk melodies, evocations of nature, and symphonic tone painting.
Martha Cook - Johann Sebastian Bach: Die Kunst Der Fuge (2015) 2CDs

Martha Cook - Johann Sebastian Bach: Die Kunst Der Fuge (2015) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 507 Mb | Mp3 (CBR320) ~ 293 Mb | Artwork included
Genre: Classical | Label: Passacaille | # 5425004140142 | Time: 01:23:24

Harpsichordist Martha Cook here records Bach's Kunst der Fuge, BWV 1080 (The Art of the Fugue), with a specific interpretive framework in mind. The work, Cook believes, was devotional and intimate in intent; it is, she writes, a "musical prayer," and it embodies the parables and exhortation found in the biblical Book of Luke, 14:27-35. Interested readers are invited to consult the booklet for more details. Making the supposition work involves discarding the version of the work published after Bach's death by C.P.E. Bach and others, and it also involves some of the numerology that so often seems to crop up in connection with Bach's larger works. There's some justification in earlier German music for regarding Bach's instrumental music in this programmatic way; Bach would have known the Biblische Historien keyboard sonatas of 1700 by one of his key predecessors, Johann Kuhnau. But what's missing is any evidence of why Bach, by the end of his life a revered figure, might have wanted to embed secret messages in Die Kunst der Fuge. The unalloyed good news is that you can disregard the stated method of interpretation and listen to the performance in the abstract. It's very powerful.