Markus Koller

Knabenkantorei Basel, Ensemble Ad Fontes, Beat Raaflaub - C.P.E. Bach: Markus-Passion (2009) (Repost)

Knabenkantorei Basel, Ensemble Ad Fontes, Beat Raaflaub - C.P.E. Bach: Markus-Passion (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 01:52:19 | 501 MB
Genre: Classical, Sacred | Label: Ars Musici | Catalog: 232181

When it came to writing Passions, C. P. E. Bach was certainly far more prolific than his father, whose St. Matthew Passion is by far and away the model against which all others are currently measured. He wrote 21 of these, or rather, he wrote bits and pieces of each one, the rest of which was cobbled together from works by his contemporaries and even his father.

Markus Segschneider - Markus Segschneider's Playground (2016)  Music

Posted by Domestos at June 1, 2018
Markus Segschneider - Markus Segschneider's Playground (2016)

Markus Segschneider - Markus Segschneider's Playground (2016)
WEB FLAC (tracks) ~ 335.10 Mb | 52:51 | Cover
Fusion, Jazz-Rock | Country: Germany | Label: Acoustic Music

“Playground” is the brand new band project by the Cologne-based guitarist Markus Segschneider, who wrote all the compositions for the quartet. Segschneider is mostly known to the public as an acoustic fingerstyle guitarist. And now he has fulfilled a long-held dream to simultaneously expand his expressive spectrum within the context of a larger ensemble again.
Michaela Schuster & Markus Schlemmer - 'Morgen!': Songs by Brahms, Schumann, Reger, Strauss (2015) [Re-Up]

Michaela Schuster & Markus Schlemmer - 'Morgen!' (2015)
Songs by Johannes Brahms, Robert Schumann, Max Reger, Richard Strauss

EAC | FLAC | Image (Cue&Log) ~ 259 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
Classical, Vocal | Label: Oehms Classics | # OC 1833 | Time: 01:10:50

Michaela Schuster, the wonderful singer, explores the beauty of the romantic Lied literature on this programme wiuth sensitivity and enthusiasm, together with the empathetic Markus Sclemmer. This recording was made in the dreamlike atmosphere of the Eppan Lied Summer Festival, in which it is not difficult to sense the inspiration from this location and atmosphere.
Markus Stockhausen, Arild Andersen, Patrice Heral, Terje Rypdal - Karta (2000)

Markus Stockhausen, Arild Andersen, Patrice Héral, Terje Rypdal - Kartā (2000)
XLD | FLAC | Tracks (Cue&Log) ~ 348 Mb | Mp3 (CBR320) ~ 176 Mb | Scans included | 01:04:21
Contemporary Jazz, Modern Creative, Ambient | Label: ECM | # ECM 1704, 543 035-2

This end-of-the-millennium quartet session probably best defines all the inherent contradictions in who ECM attracts to the label – what kind of musician records for them – and what concerns these artists and ECM's chief producer (and creator) Manfred Eicher hold in common. This set, although clearly fronted by Markus Stockhausen and Arild Andersen on brass and bass, respectively, allows space for the entire quartet to inform its direction. Héral and Rypdal are not musicians who can play with just anybody; their distinctive styles and strengths often go against the grain of contemporary European jazz and improvised music. Of the 11 compositions here, four are collectively written, with two each by Andersen and Stockhausen.

"Green Chemistry" ed. by Hosam El-Din M. Saleh and Martin Koller  eBooks & eLearning

Posted by exLib at Feb. 28, 2018
"Green Chemistry" ed. by Hosam El-Din M. Saleh and Martin Koller

"Green Chemistry" ed. by Hosam El-Din M. Saleh and Martin Koller
ITExLi | 2018 | ISBN: 9535138472 9789535138471 9535138480 9789535138488 | 168 pages | PDF | 11 MB

This book contains chapters, starting with a general introductory chapter on "green chemistry," and covers many recent applications and developments based on the principles of "green chemistry." This book is considered the appropriate way to communicate the advances in green materials and their applications to the scientific community. Chemists, scientists and researchers from related areas, and undergraduates involved in environmental issues and interested in approaches to improve the quality of life could find an inspiring and effective guide by reading this book.
Tianwa Yang, Markus Hadulla - Sarasate: Music for Violin & Piano, Vol. 3 (2012)

Tianwa Yang, Markus Hadulla - Sarasate: Music for Violin & Piano, Vol. 3 (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 01:18:55 | 323 MB
Genre: Classical | Label: Naxos | Catalog: 8.570893

Anyone interested in stunning violin artistry should buy this amazing disc straightaway. It’s one of the best things I’ve heard in a long time. I hadn’t come across Tianwa Yang’s Sarasate series for Naxos before but I will certainly search out the other discs as a matter of some urgency. Her playing is simply extraordinary - no wonder she’s been described as “A Pride of China”. This isn’t one of those flashy, hollow, 20-notes-a-second recitals that quite frankly drive me to distraction.

Markus Hinterhauser - Galina Ustvolskaya: Piano Sonatas (1998)  Music

Posted by Designol at Nov. 20, 2017
Markus Hinterhauser - Galina Ustvolskaya: Piano Sonatas (1998)

Markus Hinterhäuser - Galina Ustvolskaya: Piano Sonatas (1998)
EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 180 Mb | Scans included | 01:13:01
Classical, Modern, Avant-Garde, Contemporary | Label: col legno | # WWE 1CD 20019

They say that Galina Ustvolskaya led a very secluded life, that she was a loner. It is amazing, though, how distinct an image of her emerges from the almost meditative way in which she immersed herself in structures, dynamics and combinations of pitches. And not only that. You can hear the concentration on her work and the contrasts within the scope of an existence, some even say you can hear St. Petersburg. Markus Hinterhäuser plays Ustvolskaya’s sonatas as though it were the music of an intimate friend. The piano is vibrating, the music seems nearly torn apart with the tension. The pieces characterized by extreme dynamics, economy and cluster blocks are interpreted by Hinterhäuser with great intensity.
Hans Koller - Relax With My Horns (1966/2015) [Official Digital Download 24/88]

Hans Koller - Relax With My Horns (1966/2015)
FLAC (tracks) 24-bit/88,2 kHz | Time - 29:41 minutes | 561 MB
Studio Master, Official Digital Download | Artwork: Front cover

The re-release of Hans Koller's 1966 Relax With My Horns (MPS, Germany) shows a master at the top of his game. For the listeners, the disc is composed, arranged and produced with a sense of cheekiness… Trio of jazz musicians, with overdubbing of up to four saxophones on the session. The sum is a tidy little package of swing, blues and multi-tracked sax that echoes the iconic group Supersax.

Hans Koller - Vision (1966) [Reissue, Remastered 2015]  Music

Posted by SuniR at July 19, 2017
Hans Koller - Vision (1966) [Reissue, Remastered 2015]

Hans Koller - Vision (1966) [Reissue, Remastered 2015]
Mp3 CBR320 kbps | 28:43 min | 70 Mb (5% Rec.)
Jazz, Free Jazz, Avant-Garde Jazz | Label: MPS Records

Vision I portrays canonically overlaid sax parts played at breakneck speed before moving into a relaxed bluesy groove, then turns to blistering multi-horn solos. The dirge-like For Dolphy, with the plaintive vocal cries of the altos, was dedicated to the great alto saxophonist Eric Dolphy. The med swing and skewed bluesy feel of For H.G. features the tenor out front. Tryptichon is a challenging angular composition in 3 parts with free improvisation moving from slow to up-tempo and back. With its Dolphyesque melody, Music For Jule is a frenetic excursion with an oblique reference to Monk. For Koller, Ballad For Marlies evokes the essence of a ballad. A Different Theme comprises three phrases played in different times – perfect food for the soloists. Vision II is a free-form ballad with Rittenbacher doubling piano and Koller’s expressive sax solo.
Hans Koller - Vision (1966/2015) [Official Digital Download 24/88]

Hans Koller - Vision (1966/2015)
FLAC (tracks) 24-bit/88,2 kHz | Time - 28:43 minutes | 549 MB
Studio Master, Official Digital Download | Artwork: Front cover

Vision I portrays canonically overlaid sax parts played at breakneck speed before moving into a relaxed bluesy groove, then turns to blistering multi-horn solos. The dirge-like For Dolphy, with the plaintive vocal cries of the altos, was dedicated to the great alto saxophonist Eric Dolphy. The med swing and skewed bluesy feel of For H.G. features the tenor out front. Tryptichon is a challenging angular composition in 3 parts with free improvisation moving from slow to up-tempo and back. With its Dolphyesque melody, Music For Jule is a frenetic excursion with an oblique reference to Monk. For Koller, Ballad For Marlies evokes the essence of a ballad. A Different Theme comprises three phrases played in different times – perfect food for the soloists. Vision II is a free-form ballad with Rittenbacher doubling piano and Koller’s expressive sax solo.