Thomas Larcher s sound world is both original and captivating in its fusion of contemplative harmonies with innovative performance techniques. Written for and performed by tenor Mark Padmore, 'A Padmore Cycle' features the composer at the keyboard. Works for solo piano performed by Tamara Stefanovich round out this programme of first recordings. Born 1963 in Innsbruck, composer Thomas Larcher studied piano and composition in Vienna. He first gained renown primarily as a pianist, performing with major orchestras and prominent conductors such as Claudio Abbado, Pierre Boulez and Franz Welser Möst. In 1998, he began to define himself more clearly as a composer. Since then he has composed works for the San Francisco Orchestra, the BBC Symphony Orchestra, London Sinfonietta, the Belcea Quartet, and for Leif Ove Andsnes, Matthias Goerne, Mark Padmore and Viktoria Mullova and Matthew Barley. He has recorded five CDs with ECM, most recently 'Madhares' with Kim Kashkashian, Till Fellner and Dennis Russell Davies.
Mark Padmore and fortepianist Kristian Bezuidenhout combine here to perform two of Schumann’s major cycles to words by Heine. They also throw in a selection of five Heine settings by the largely forgotten Franz Lachner (1803-90) from his Sängerfahrt (Singer’s Journey), which include the same text – ‘Im wunderschönen Monat Mai’ – with which Schumann’s Dichterliebe begins.
This 2012 recording of the most influential and wide spread oratorio by Johann Sebastian Bach features the Hungarian conductor Iván Fischer, a visionary in his field, with the Royal Concertgebouw Orchestra in Amsterdam. The double choir is the essential musical aspect on which Iván Fischer’s interpretation of Bach’s St. Matthew Passion is based. Only by consistently seizing on that duality will all the complementary layers stand out as they should. He describes this essential fundamental aspect as follows: “You can’t do the St. Matthew in an unreligious way. The only approach is from a deep, universally religious feeling.”
SDG is proud to release a new recording of Bach's St John Passion. Previous releases have received phenomenal press coverage and tremendous reviews for performance, sound quality and packaging. Recorded in Königslutter in 2003, this two disc album features internationally acclaimed soloists, including Mark Padmore, Hanno Müller-Brachmann, Peter Harvey and Bernarda Fink.
Celebrated tenor Mark Padmore joins the Britten Sinfonia in some of the most beautiful English music for voice and orchestra. The centrepiece is Britten's magical evocation of twilight and nightfall, the 'Serenade' (with Stephen Bell, horn). In Gerald Finzi's war-time cycle 'Dies natalis', the ecstatic mood reflects a child's wide-eyed wonder at the world. Britten's poignant 'Nocturne' completes the programme.
England's Orlando Consort, a quartet of male singers augmented as needed by other performers, offers performances of Renaissance vocal music that lie midway between the traditional and the highly individualized modern. Sometimes they veer toward one of those two extremes, but often, as on the present disc, they find a happy medium. Their sound, especially in sacred music, owes much to the English cathedral tradition, but there's a well-honed edge to their one-voice-to-a-part interpretations that brings out the crowds who've recently been drawn to early music. This disc is intended as an introduction to a composer who doesn't always offer easy listening to the modern ear. Netherlander Antoine Busnois, active at the end of the fifteenth century and considered the greatest figure between Dufay and Josquin, wrote music that broke free from elaborate medieval numerology but came in advance of Josquin's perfect marriage of music and text.