Official reissue of Bill Nelson’s classic & long deleted six cd boxed set originally released in 2002. Eestores the original boxed set artwork & book. Esoteric Recordings’ imprint Cocteau Discs are very pleased to announce the re-release of one of the most sought after titles in BILL NELSON’s extensive solo catalogue, the boxed set "NOISE CANDY”. Originally released in 2002 on the Tone Swoon imprint, the set was available for a matter of months before the distributors ceased to exist. "NOISE CANDY” was a fascinating project that gathered together a host of recordings made by Bill at his various home studios between 1990 and 2000. Featuring 121 tracks, the set comprised 6 CDs of songs and instrumental music, each CD an album in their own right and entitled variously "Old Man Future Blows the Blues”, "Stargazing With Ranger Bill”, "Sunflower Dairy Product”, "King Frankenstein”, "Console” and "Playtime”.
Oliver Nelson was one of the more distinctive arrangers to be active in jazz, the studios, and popular music of the '60s. While most Nelson reissues focus on his always-excellent saxophone playing (whether on tenor or alto), this six-CD set, Argo, Verve and Impulse Big Band Studio Sessions, focuses on Oliver Nelson the arranger-composer-bandleader. He does take solos on some of these dates on tenor, alto,and soprano (his only recorded solos on that instrument), but it his writing that takes center stage.
‘Kid Flip And The Golden Spacemen’ is an album that will appeal to fans of my more rock/pop/vocal work. The title is in the grand tradition of imaginary bands such as ‘Ziggy Stardust And The Spider’s From Mars,’ ‘Jet Silver And The Dolls Of Venus,’ ‘Willy And The Poor Boys,’ ‘The Blue Men’ etc. The album will appeal to fans of my earlier Be Bop Deluxe era whilst bringing a more contemporary twist to the songs. It’s a light-hearted, positive, good vibes album. I hope you will enjoy it.
Oliver Nelson makes a great appearance here with the Sharps & Flats group of Nobuo Hara – an excellent Japanese ensemble who are clearly inspired by Nelson's soulful arrangements of the 60s! Oliver's the reed soloist on the album, not the leader – and it's great to hear him getting a bit of his own sort of treatment while stretching out as an individual voice – free to remind us that he's also a hell of a soloist when he wants to be, with reed talents that work perfectly with the larger sense of tone from the bigger group! Nelson plays soprano sax wonderfully on a few cuts.