The blues recording industry began in New York City and for most of the 1920s, musicians travelled from all parts of the country to make their mark in the recording studio. Bessie Smith and Ma Rainey were amongst the most popular female singers but they were soon rivaled by the likes of Lonnie Johnson, Robert ‘Barbecue Bob’ Hicks, Texas Alexander and Mississippi John Hurt. Kansas Joe McCoy cut ‘When The Levee Breaks’, justly famous in its Led Zeppelin incarnation, in the city.
Memphis was the town blues musicians passed through on their way to Chicago. But some of them stayed and the record companies sent their mobile units to record them. Over a three-year period from 1927, an astonishing amount of talent was recorded: local stars like the Memphis Jug Band, Frank Stokes, Cannon’s Jug Stompers, Jim Jackson, Furry Lewis, Robert Wilkins, Bukka White, Memphis Minnie, Joe Callicott and Sleepy John Estes.
People call Chicago The Home Of The Blues. It may not be where the blues came from but it s where the blues came to live. It’s the place where Muddy Waters, Howlin’ Wolf and Jimmy Reed laid down the songs that inspired the Rolling Stones and the Yardbirds. The blues was the bedrock on which Jimmy Page created Led Zeppelin, the band that helped to change pop music forever. Chicago was the mecca for Buddy Guy, Otis Rush, Magic Sam, Elmore James and a host of others who arrived in the city to make their fortune. The process had begun decades earlier, when record companies first came to town.
Debut album “Evolution” which shattered preconceptions about crossover music being boring, as well as solo performances by the group members. Forestella gets their name from “a star(stella) that shines above a forest” and comprises of musical actor Bae Doo-hoon, tenor Jo Min-kyu, bass Go Woo-rim and ordinary salaryman Kang Kyung-ho. The four were the top finalists for the audition show “Phantom Singer 2” and went on to form the crossover quartet.