Maddalena

Maria Maddalena / Mary Magdalene (2018)  Video

Posted by edi1967 at March 30, 2018
Maria Maddalena / Mary Magdalene (2018)

Maria Maddalena / Mary Magdalene (2018)
A Film Garth Davis
TeleSync MD | AVI | 704 x 368 | Xvid @ 1323 Kbps | 01:53:20 | 5% Recovery | 1.3 GB
Audio: Italian (dubbed) MP3 @ 128 Kbps (2ch) | Subtitles: None
Genre: Drama

Maria Maddalena racconta la storia di una giovane donna in cerca di una nuova vita, che sia finalmente libera dalle tradizioni famigliari e dalla società fortemente gerarchica e maschilista del suo tempo. Troverà l\'occasione per intraprendere un cammino di crescita grazie al neonato movimento religioso e sociale fondato dal carismatico Gesù di Nazareth (Joaquin Phoenix). In questo contesto riuscirà finalmente a trovare…
Rene Jacobs, Orchestra of the Schola Cantorum Basiliensis -  Caldara: Maddalena ai piedi di Cristo (2002)

René Jacobs, Orchestra of the Schola Cantorum Basiliensis - Caldara: Maddalena ai piedi di Cristo (2002)
EAC | FLAC | Image (Cue & Log) ~ 587 Mb | Total time: 126:27 | Scans included
Classical | Label: Harmonia Mundi | # 905221.22 | Recorded: 1995

The oratorio as a musical form emerged toward the end of the seventeenth century as a kind of "spiritual exercise" encouraged by the Congregazione dell'Oratorio in Rome. The performances took place in oratories (prayer halls) constructed above church naves and were intended to be attractive but edifying entertainments. Then as later, oratorios generally reflected the popular forms and styles of secular music – and in late Renaissance and Baroque Italy, this meant opera, though based on religious rather than mythological and heroic themes. The most prolific composer in this genre was Antonio Caldara (c1670-1736); New Grove lists 43 oratorios (in addition to many operas) and there are probably more that have been lost, written for patrons in his native Venice, Rome, Florence, Mantua, and Vienna.

Ella Weisskamp by Maddalena Arcelloni for S Magazine #18  Girls

Posted by nrg at April 4, 2018
Ella Weisskamp by Maddalena Arcelloni for S Magazine #18

Ella Weisskamp - Maddalena Arcelloni Photoshoot
12 jpg | up to 1114*1558 | 3.63 MB
American model

Mary Magdalene (2000) Gli amici di Gesù - Maria Maddalena  Video

Posted by MirrorsMaker at March 15, 2018
Mary Magdalene (2000) Gli amici di Gesù - Maria Maddalena

Mary Magdalene (2000)
DVDRip | MKV | 712x428 | x264 @ 2612 Kbps | 94 min | 1,91 Gb
Audio: English AC3 2.0 @ 224 Kbps | Subs: English (embedded in MKV)
Genre: Drama

When the marriage between AMOS and MARY MAGDALENE turns out to be childless, he casts her out and gets a divorce. Mary has to leave Magdala. She befriends SILVANO, a Roman prefect, who promises her a new life at his side. A few days after her departure Mary meets the prophet JOHN THE BAPTIST, whom Silvano suspects of being a revolutionary. The prefect tells her to cultivate John more intensively. In this way Mary becomes acquainted with the teaching of the coming Messiah, and it begins to interest her.
Scherzi Musicali & Nicolas Achten - Bertali: La Maddalena (2016) [Official Digital Download 24/88]

Scherzi Musicali & Nicolas Achten - Bertali: La Maddalena (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 67:32 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Through the combination of sacred and profane that she embodies, the profoundly human personality of Mary Magdalene greatly inspired artists of the Baroque era, whether painters, poets or composers. It was in the sphere of influence of Italian oratorios, highly prized at the court of Vienna, that Antonio Bertali devoted a most moving sepolcro to her in 1663, a genre traditionally played during Holy Week. In 1617, in Mantua, it was in the form of theatrical interludes that she was honoured by court composers such as Salomone Rossi, Muzio Effrem and Claudio Monteverdi, who wrote the prologue for this other Maddalena.
Maddalena... zero in condotta / Maddalena, Zero for Conduct (1940)

Maddalena… zero in condotta / Maddalena, Zero for Conduct (1940)
Italian | DVDRip | MKV | 714x576 | AVC @ 2000 kb/s | 1.15 GB
Audio: AC-3 @ 192 kb/s 2 ch | 01:14:53 minutes | Subs: Italian, English, French, Spanish (embedded)
Genre: Comedy

A young man studying in an academy secretarial practice makes writing letters addressed to an imaginary recipient who supposedly lives in Rome. One day, just for fun, it gets to write a love letter and, by chance, that letter is mailed and arrives at the hands of someone who, moved by curiosity, decided to inform the sender.
Scherzi Musicali, Nicolas Achten - Antonio Bertali: La Maddalena (2016)

Scherzi Musicali, Nicolas Achten - Antonio Bertali: La Maddalena (2016)
EAC | FLAC | Image (Cue&Log) ~ 340 Mb (incl 5%) | Mp3 (CBR320) ~ 165 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Ricercar | # RIC 367 | Time: 01:07:48

Through the combination of sacred and profane that she embodies, the profoundly human personality of Mary Magdalene greatly inspired artists of the Baroque era, whether painters, poets or composers. It was in the sphere of influence of Italian oratorios, highly prized at the court of Vienna, that Antonio Bertali devoted a most moving sepolcro to her in 1663, a genre traditionally played during Holy Week. In 1617, in Mantua, it was in the form of theatrical interludes that she was honoured by court composers such as Salomone Rossi, Muzio Effrem and Claudio Monteverdi, who wrote the prologue for this other Maddalena.
Maddalena... zero in condotta / Maddalena, Zero for Conduct (1940)

Maddalena… zero in condotta / Maddalena, Zero for Conduct (1940)
Italian | DVDRip | AVI | XviD, 1499 Kbps | 704x528 | 25.000 fps | 879 MB
Audio: MP3, 128 Kbps | 2 channels | 48.0 KHz | Runtime: 01:14:53 minutes | Subtitles: English, Spanish (srt)
Genre: Comedy

A young man studying in an academy secretarial practice makes writing letters addressed to an imaginary recipient who supposedly lives in Rome. One day, just for fun, it gets to write a love letter and, by chance, that letter is mailed and arrives at the hands of someone who, moved by curiosity, decided to inform the sender.
Caldara - Maddalena ai piedi di Cristo (Rene Jacob, Bernarda Fink, Andreas Scholl) [2002]

Caldara - Maddalena ai piedi di Cristo (Rene Jacob, Bernarda Fink, Andreas Scholl) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 568.67 MB
Classical | Label: Harmonia Mundi | Catalog Number: HMC 905221.22

Antonio Caldara, in this recently rediscovered church opéra, reaches a rare level of beauty and intensity. Beauty essentially due to the perfect blend and contrast between the various voices. The two alti and the two soprani are absolutely marvellous in their complementary values and hues, and they enhance the bass and the tenor in a unique way. Intensity due to the debate in Maddalena between carnal love and spiritual christian love. This debate is represented by the fight between the two alti, Amor Celeste and Amor Terreno, redoubled with the same debate between the two soprani…
Dr Jacques COULARDEAU
Fabio Biondi, Europa Galante - Alessandro Scarlatti: Maddalena (1993)

Fabio Biondi, Europa Galante - Alessandro Scarlatti: Maddalena (1993)
EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 76:50 | Scans included
Classical | Label: Opus 111 | # OPS 30-96 | Recorded: 1993

Alessandro Scarlatti was only 24 and had just begun his enormously successful operatic career when he set a libretto by that great Roman patron of the arts, Cardinal Pamphili, on the subject of repentance and divine grace. It was performed before a distinguished audience by a small group of leading singers and instrumentalists of the day in March 1685—the year of the birth of Alessandro's son Domenico (in fact, as a matter of interest, three days before the birth of J. S. Bach). This simple little morality (oratorio is too grandiose a term for it) shows Magdalen torn between youthful pleasures and repentance for hedonistic living: the subject is treated in a sequence of extremely brief arias (and a few duets) and recitatives, which add up to a rather bitty effect, all the more because of seemingly haphazard key-sequences. There is little evidence of the da capo aria form later to be so closely associated with Scarlatti: there are, however, several examples (as in the very first aria) of 'devise' openings.