Barry Wordsworth and the Capella Istropolitana are in full control of these symphonies. This is an excellent release from Naxos. The price is attractive, but it is also a sound investment as the recording is of quality. Capella Istropolitana can cope well with as a chamber orchestra and can also manage well as a large scale orchestra for standard repertoire. They record mainly in the studio and are experienced with works by Haydn, Vivaldi, Telemann and Mozart. This recording is a good example of their ability. Naxos have created a credible set of recordings of the symphonies by Mozart. This was recorded at the Concert Hall of the Slovak Philharmonic in Bratislava in March 1988. It is a Digital record and the sound is of good standard. Symphonies 41 (Jupiter) and 40 make an excellent programme and this release is an excellent way to get these symphonies without great expense.
This album made the headlines in 2006 as the UK’s first classical “on the night” recording. CDs were made during the second part of the concert for the audience to take home after the concert. This is the first time this CD is commercially released. Symphonies 39 & 49 are among the last composed by Mozart. They use the full eighteenth-century orchestra, complete with trumpets and timpani.
Die vierte Staffel der erfolgreichen dhm Editionen. 10 herausragende Aufnahmen in einer hochwertigen Box mit Originalcover zu einem sensationell günstigen Preis..
These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era."
Almost any recording of a Mozart symphony by Austrian conductor Karl Bohm (1894-1981) is a sure thing: excellent sound, and sensible, solid, non-sentimental interpretation.
The films in this DVD were made in the 1970s: both picture and sound are excellent. Bohm is an easy conductor to watch, and his conducting style does not distract or call attention to him over the musicians or the music. Indeed, Bohm SERVES Mozart, and watching him conduct the great Vienna Philharmonic is a joy from beginning to end.
Mozart's greatest symphonies in classic performances by Karl Böhm and the Wiener Philharmoniker.
Böhm’s Mozart as experienced in these precious films is marked by youthful vigour and directness, as well as a lack of pathos and sentimentality. Every reading glows with profound love and understanding.
“Thanks to Bruno Walter’s exemplary performances, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart.” – Karl Böhm
Sir Georg Solti, KBE (21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor. He holds the record for having received the most Grammy Awards, having personally won 31, including the Grammy Lifetime Achievement Award. He is widely regarded as one of the greatest conductors of the 20th century.