The DVD has a wonderfully three-dimensional Dolby-Digital 5.1 sound mix that brings the Salzburg Cathedral ambience alive, and a stunningly detailed and clear anamorphically enhanced picture. Documentation is minimal; no texts, subtitles, or information about either Von Karajan or Rachel Harnisch is given. There is only one special feature, which is not documented on the disc: by default the disc offers a standard multi-camera view, but at a press of the Angle button it switches to a second set of cameras focused entirely on Abbado.–Gary S. Dalkin, Amazon.co.uk
On July 16, 1999, the tenth anniversary of the death of Herbert von Karajan, the Berliner Philharmoniker paid tribute to their late maestro in his home town of Salzburg. In a live shooting from the imposing Salzburg Cathedral, Claudio Abbado conducted an all- Mozart programme, honouring his predecessor both by the careful selection of the music and the singers. The Berliner Philharmoniker, conducted by Claudio Abbado, performed Mozart's Requiem in D minor, KV 626, among other works. Soprano Rachel Harnisch appeared as the soloist on the two complementing arias Betrachte dies mein Herz und frage mich and Laudate Dominum Featuring soprano Karita Mattila, contralto Sara Mingardo, tenor Michael Schade and bass baritone Bryn Terfel as soloists of the Requiem. A performance that in every respect met Karajan's own high artistic standards. Lovingly restored and carefully brought to HD, this unique performance of the Berliner Philharmoniker at Salzburg Cathedral is now finally available on Blu-ray Disc.
Herbert von Karajan also often confronted himself with spiritual music. Especially the Mozart, Verdi and Brahms Requiem were always performed in the utmost quality, whereas before all else Verdi's Messa di Requiem demands excellent opera voices.
Beethoven called Mozart's Requiem "wild and terrible", and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time.
The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
Mozart's Requeim is another masterpiece where he unleashes his overwhelming genius, which even his jealous contemporaries could not not find words for other than "divine". At the same time, it is also a subject of great controversy as to how the unfinished portions should have been completed (serious listeners should try to learn more about how Sussmayr completed the work and how his work is criticized). Whatever the case, this is unquestionably one of the greatest works of art ever created by man….
…After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic: she made her public debut on stage in 1976 at the Lucerne Festival, playing Mozart’s Violin Concerto No. 4 in D major. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic…
Karl Böhm conducting the Requiem: one of the foremost Mozart conductors of the 20th century in one of Mozart’s most admired works. Singers Gundula Janowitz, Christa Ludwig, Peter Schreier and Walter Berry join forces to form a brilliant cast of soloists. Taped in 1971 at the Piaristenkirche in Vienna, this is a rare document of outstanding artistic quality.