Mater Morbi

Dylan Dog - Volume 280 - Mater Morbi  Comics

Posted by Mendose at June 9, 2015
Dylan Dog - Volume 280 - Mater Morbi

Dylan Dog - Volume 280 - Mater Morbi
Italian | CBR | 98 pages | 18.6 MB

Dylan Dog – 361 – Mater Dolorosa (2016)  Comics

Posted by edi1967 at Oct. 4, 2016
Dylan Dog – 361 – Mater Dolorosa (2016)

Dylan Dog – 361 – Mater Dolorosa (2016)
Italian | 100 pages | CBR + PDF | 59.7 MB

Quando Dylan Dog avverte di nuovo i sintomi del male oscuro che lo ha quasi ucciso, alcuni anni fa, capisce che Mater Morbi, la madre della malattia, è tornata e che sarà costretto a calarsi in un mare di dolore, alla ricerca di sé stesso e alla scoperta dei segreti del suo passato e del suo presente. Xabaras, Morgana, il Galeone, l'ex-Ispettore Bloch, Groucho, Moonlight, i morti viventi, Mater Morbi… Non mancherà proprio nessuno in questa festa di morte, in un albo tuttocolore che celebra il trentennale dell’Indagatore dell’Incubo.

Hedvig Mollestad Trio - Black Stabat Mater (2016)  Music

Posted by delpotro at June 12, 2018
Hedvig Mollestad Trio - Black Stabat Mater (2016)

Hedvig Mollestad Trio - Black Stabat Mater (2016)
EAC Rip | FLAC (tracks+log+.cue) | 00:33:17 | 208 Mb
Jazz Rock, Progressive Rock, Experimental | Label: Rune Grammofon

"Although there is enough riffing here to satisfy the headbangers, with "Black Stabat Mater" the trio are venturing into more free and open landscapes with Mollestad truly coming into her own as a solo guitarist as well as a riffmeister previously compared to the likes of Tony Iommi and Jimmy Page. It´s also notable that extensive touring has given them a confidence boost, and once again the tracks have been laid down live in the studio with only minor overdubs.The last few years have seen a thrilling new progessive wave of Norwegian avant jazz´n´rock or free metal energy combos like labelmates Elephant9, Grand General, Bushman´s Revenge and Krokofant, and not to forget the mighty Scorch Trio - led by Finnish guitarist Raoul Björkenheim - who can be said to have started it all some 15 years ago."

Terra Mater - Attenboroughs Ant Mountain (2017)  Video

Posted by notbanned at June 10, 2018
Terra Mater - Attenboroughs Ant Mountain (2017)

Terra Mater - Attenboroughs Ant Mountain (2017)
HDTV | 1920x1080 | .MP4/AVC @ 4400 Kbps | 2x~52min | 1.88 GiB
Audio: English AAC 160 kbps, 2 channels | Subs: English
Genre: Documentary

David Attenborough travels to the Jura Mountains in the Swiss Alps, to find out about one of the largest animal societies in the world, where over a billion ants live in peace.

Hedvig Mollestad Trio - Black Stabat Mater (2016) {Rune Grammofon}  Music

Posted by TestTickles at June 5, 2018
Hedvig Mollestad Trio - Black Stabat Mater (2016) {Rune Grammofon}

Hedvig Mollestad Trio - Black Stabat Mater (2016) {Rune Grammofon}
MP3 CBR 320kbps | RAR | 77 mb
Genre: jazz rock

Black Stabat Mater is a 2016 live album by the Hedvig Mollestad Trio. This was released by Rune Grammofon.
Rinaldo Alessandrini, Fabio Biondi - Pergolesi, A.Scarlatti, Leo: Stabat Mater, Salve Regina, Messa di S. Emidio (2010)

Rinaldo Alessandrini, Fabio Biondi - Pergolesi: Stabat Mater, Salve Regina, Messa di S. Emidio; A.Scarlatti: Stabat Mater, Messa per il Santissimo Natale; Leo: Salve Regina (2010)
EAC | FLAC | Image (Cue & Log) ~ 884 Mb | Total time: 79:39+58:39+58:00 | Scans included
Classical | Label: Naïve | # OP 30507 | Recorded: 1995, 1998, 2008

The legendary Italian composer Giovanni Battista Pergolesi was born 300 years ago, in 1710. To mark the anniversary, Naïve re-issues three renowned recordings to feature his choral music, in a specially-priced box set, headed by the Gramophone award-winning version of his Stabat Mater by Rinaldo Alessandrini and Concerto Italiano, considered one of the best ever recorded…
Also featured in the bargain “3 for the price of 1” set are other short pieces by Pergolesi, plus more by Alessandro Scarlatti and Leonardo Leo.

Sara Mingardo, Rinaldo Alessandrini - Vivaldi: Stabat Mater (2002)  Music

Posted by tirexiss at March 25, 2018
Sara Mingardo, Rinaldo Alessandrini - Vivaldi: Stabat Mater (2002)

Sara Mingardo, Rinaldo Alessandrini - Vivaldi: Stabat Mater (2002)
EAC | FLAC (image+.cue, log) | Covers Included | 01:10:30 | 345 MB
Genre: Classical, Sacred | Label: Opus 111 | Catalog: 30367

Conductor Rinaldo Alessandrini's historical-instrument recordings of Vivaldi and other Italian Baroque composers, originally recorded around the turn of the millennium for the Opus 111 label, are being reissued on Naïve, complete with the fashion-forward graphics for which that label is known. Any and all remain completely distinctive, but this all-Vivaldi disc makes perhaps the ideal place to start.
Jean-Christophe Spinosi, Ensemble Matheus - Vivaldi: Nisi Dominus, Stabat Mater, Crucifixus (2007)

Jean-Christophe Spinosi, Ensemble Matheus, Philippe Jaroussky, Marie-Nicole Lemieux - Vivaldi: Nisi Dominus, Stabat Mater, Crucifixus (2007)
EAC | FLAC | Image (Cue & Log) ~ 202 Mb | Total time: 41:57 | Scans included
Classical | Label: Naïve | # OP 30453 | Recorded: 2007

Antonio Vivaldi's probably early Nisi Dominus, RV 608, and Stabat Mater, RV 621, both for solo voice and ensemble, have received several top-notch recordings, so the listener can pick on the basis of voice type and stylistic preference. Countertenor David Daniels has essayed the pair with Fabio Biondi and his Europa Galante ensemble, and you can hear the preternaturally rich contralto Sara Mingardo in a reading with the fiery Italian Baroque specialist Rinaldo Alessandrini. Here you get a countertenor, Philippe Jaroussky, in the Nisi Dominus and a female contralto, Canadian Marie-Nicole Lemieux, in the Stabat Mater. The pairing robs the whole of unity at one level, but makes musical sense; the Nisi Dominus is a more athletic work that benefits from the power of the male voice, while the Stabat Mater, especially in Vivaldi's truncated and highly dramatic setting, may require the audience to identify with a female singer.
Kammerchor Stuttgart, Hofkapelle Stuttgart & Frieder Bernius - Haydn: Stabat Mater, Hob. XXbis (2018)

Kammerchor Stuttgart, Hofkapelle Stuttgart & Frieder Bernius - Haydn: Stabat Mater, Hob. XXbis (2018)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 269 MB
Label: Carus | Tracks: 14 | Time: 59:51 min

Joseph Haydns Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydns reputation as the leading vocal composer of his day. This recording under the direction of Frieder Bernius - joined by a distinguished line-up of soloists, the Kammerchor Stuttgart and the Hofkapelle Stuttgart - follows the new critical edition of the work by Carus.
Barbara Hendricks, Chœurs de Radio France, ONF, Georges Pretre - Francis Poulenc: Gloria; Stabat Mater (2006)

Francis Poulenc: Gloria; Stabat Mater (2006)
Barbara Hendricks, soprano; Chœurs de Radio France; Michel Tranchant, chorus master
Orchestre National de France, conducted by Georges Prêtre

EAC | WV | Image (Cue&Log) ~ 244 Mb | Mp3 (CBR320) ~ 161 Mb | Scans included
Classical, Choral, Vocal | Label: EMI Classics | # 0946 3 55688 2 0 | 00:59:20

Understandably, Poulenc's Gloria and Stabat Mater have almost invariably been coupled together on LPs and CDs. Similarly scored for solo soprano, chorus, and orchestra, the two works are arguably the twin peaks of Poulenc's sacred music, that is, they are irresistibly melodic, energetically rhythmic, directly emotional, conservatively harmonic, and fervently religious. That said, however, the difference in tone between the two works is as striking as their similarities. Where the Gloria is light, bright, and at times even funny, the Stabat Mater, as befits its subject matter, is dark, heavy, and always deeply sorrowful. In this pair of performances with Georges Prêtre leading the Orchestre National de France and the French Radio Choir from the '80s, both works are given the deluxe French treatment. Prêtre is as skilled at balancing his forces as he is at keeping the music moving, and, as importantly, he is as capable of expressing the Gloria's joyous wit as he is of articulating the Stabat Mater's profound suffering. But the real star of these performances is American soprano Barbara Hendricks whose clear, warm voice and excellent diction breath vibrant life into all Poulenc's glorious melodies.