Mater Morbi

Dylan Dog - Volume 280 - Mater Morbi  Comics

Posted by Mendose at June 9, 2015
Dylan Dog - Volume 280 - Mater Morbi

Dylan Dog - Volume 280 - Mater Morbi
Italian | CBR | 98 pages | 18.6 MB

Dylan Dog – 361 – Mater Dolorosa (2016)  Comics

Posted by edi1967 at Oct. 4, 2016
Dylan Dog – 361 – Mater Dolorosa (2016)

Dylan Dog – 361 – Mater Dolorosa (2016)
Italian | 100 pages | CBR + PDF | 59.7 MB

Quando Dylan Dog avverte di nuovo i sintomi del male oscuro che lo ha quasi ucciso, alcuni anni fa, capisce che Mater Morbi, la madre della malattia, è tornata e che sarà costretto a calarsi in un mare di dolore, alla ricerca di sé stesso e alla scoperta dei segreti del suo passato e del suo presente. Xabaras, Morgana, il Galeone, l'ex-Ispettore Bloch, Groucho, Moonlight, i morti viventi, Mater Morbi… Non mancherà proprio nessuno in questa festa di morte, in un albo tuttocolore che celebra il trentennale dell’Indagatore dell’Incubo.
Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater; Bach: Cantatas, BWV 54 & 170 (2017)

Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater; Bach: Cantatas, BWV 54 & 170
Classical | WEB FLAC (tracks) & d. booklet | 64:04 min | 279 MB
Label: Harmonia Mundi | Tracks: 21 | Rls.date: 2017

Two of Bach s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi s 'Stabat mater', an acknowledged masterpiece by one of the 18th century s most influential composers.
Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]

Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 224 MB
Classical | Label: DG | Catalog Number: 427 3042 7 | TT: 51’56

This is the simply a slpendid recording- well paced, energetic and in excellent sound. I have a suspicion that many people drawn to these works pay undo emphasis on the choir [or they are choir singers] and understandably get frustrating when the choir is not front and center in the musical proceedings. But what Poulenc wrote here does not emphasize the choir [he was a master instrumentalist after all!] so the orchestra should be more prominent at times. Ragardless, this is a great performance!
Bavarian Radio Symphony Orchestra & Choir, Mariss Jansons - Antonin Dvorak: Stabat Mater (2015)

Antonín Dvořák - Stabat Mater (2015)
Erin Wall, soprano; Mihoko Fujimura, mezzo; Christian Elsner, tenor; Liang Li, bass
Chor und Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons, conductor

EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
Genre: Classical, Choral | Label: BR Klassik | # 900142 | 01:17:55

Antonín Dvorák's Stabat Mater, Op. 58, written in the aftermath of the deaths of three of his children, is a sober and powerful work, inexplicably neglected and unlike any other work of choral music from the 19th century. Perhaps most performances don't capture its full weight, but this live recording from the Bavarian Radio Symphony Orchestra under Mariss Jansons, does so. There are many deep pleasures here. The orchestra's choir is extraordinary: rich yet without a hint of wobble and utterly clear in its sense of the text. Jansons keeps things at a deliberate pace that lets the music breathe and the currents of personal experience rise to the surface. The soloists, none terribly well known, are fine in their individual numbers, but absolutely transcendent in ensembles, nowhere more so that in the sublime "Quando corpus morietur" finale (track 10); there are a couple of other strong recordings of this work, but it seems likely that no one has ever matched this conclusion. The live recording from the Herkulessaal in Munich is impressively transparent and faithful to the spontaneity of the event. A superb Dvorák release.
Currende, Erik Van Nevel - Domenico Scarlatti: Stabat Mater; Joao Rodriguez Esteves: Missa A Oito Voces (1990) Reissue 2007

Domenico Scarlatti: Stabat Mater; João Rodriguez Esteves: Missa A Oito Voces (1990)
Vocal And Instrumental Ensemble 'Currende'; Erik Van Nevel, direction

EAC | FLAC | Tracks (Cue&Log) ~ 210 Mb (incl 5%) | Mp3 (CBR320) ~ 134 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Sacred | Label: ACC Accent | # 10069 | Time: 00:47:10

As the old saying goes, "the third time's the charm." This is indeed the third time the German label Accent has issued this coupling of Domenico Scarlatti's Stabat Mater with João Rodrigues Esteves' Missa a oito voces. The first time was in 1990, when the recording by Currende under the leadership of Erik van Nevel was new, and the second in 1998 as part of a box set containing this and several recordings by Concerto Palatino. No complaints here, though, as this is one of the finest discs Accent has to offer.

Coleman Hawkins - Desafinado + Bluesy Burrell (2013) {Mater Jazz}  Music

Posted by shamanicus at Jan. 26, 2017
Coleman Hawkins - Desafinado + Bluesy Burrell (2013) {Mater Jazz}

Coleman Hawkins - Desafinado + Bluesy Burrell (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 465 mb | MP3 CBR 320kbps | RAR | 181 mb
Swing, Mainstream Jazz, Bossa Nova | Label: Mater Jazz Records - MJR 8892861

This releases contains the complete classic album Desafinado (Impulse AS- 28), which marks Coleman Hawkins’ only incursion into the Bossa Nova genre while showcasing him as the only horn. As a bonus, Kenny Burrell’s entire LP Bluesy Burrell (Moodsville MVST29) featuring Coleman Hawkins, and recorded in between the two bossa nova sessions. Even though it was not recorded in the Bossa Nova style, it maintains the relaxed spirit of the first album. Both LPs feature the exceptional Tommy Flanagan (playing percussion on the first album), as well as Latin percussion - by Willie Rodríguez on Desafinado, and by the great Ray Barretto on Bluesy Burrell.

Mariss Jansons - Dvorak: Stabat Mater (2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 7, 2017
Mariss Jansons - Dvorak: Stabat Mater (2015) [TR24][OF]

Mariss Jansons - Dvorak: Stabat Mater
Classical | FLAC (tracks) 24-bit/48 kHz | 77:51 min | 744 MB | Digital booklet
Label: BR Klassik | Tracks: 10 | Rls.date: 2015

Dvořák's haunting 'Stabat Mater' for solo voices, chorus and orchestra is not only the most famous work of church music by the Bohemian composer - it is also one of the most impressive ever settings of the medieval hymn in which Mary, the mother of Jesus, gives vivid expression to the pain she feels at the sight of her crucified son. The terrible misfortunes that befell the composer in his private life during the creation of this work may have been a reason for this.
Pergolesi- Stabat Mater; Vivaldi- Gloria in D major, RV 589; Scarlatti- Messa di Santa Cecilia [2001]

Pergolesi- Stabat Mater; Vivaldi- Gloria in D major, RV 589; Scarlatti- Messa di Santa Cecilia
(Timothy Brown; Pieter Jan Leusink; Maurice de Abravanel) [2001]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 569 MB
Classical | Label: Brilliant Classics | Catalog Number: 99289 | TT: CD1`63:50, CD2`54:07

This release is dedicated to some of the most famous settings of the Stabat mater, revealing the genre's varying treatment by composers over the centuries. From Palestrina's effective use of polyphony to Pergolesi's unusually sparse instrumental accompaniment, we move forward in time to contributions by Vivaldi and Haydn. These compositions rank among some of the most famous and affective music ever composed.
Florilegium - Pergolesi: Stabat Mater (2010) [Official Digital Download 24bit/96kHz]

Florilegium - Pergolesi: Stabat Mater (2010)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.49GB + 5% Recovery
Studio Master, Official Digital Download, Channel Classics

As a composer Pergolesi’s productive career began at the age of twenty, and by twenty-six (March 1736) he had died of tuberculosis. During his lifetime Pergolesi’s fame was restricted, in the main, to Rome and Naples, yet after his death, his reputation eclipsed most other composers in the second half of the eighteenth century. The whole of Europe developed an increasing curiosity for his compositions. His posthumous celebrity status was such a magnet in the music world that, hoping to reap large financial profits, publishers and opera directors alike attributed his name to hundreds of vocal and instrumental works by lesser-known composers. Following Pergolesi’s death the Stabat Mater became one of the most celebrated and frequently printed works of the 18th century.