Excellent addition to any prog rock music collection.
Man's last studio album before they split up for the first time in 1977 and fortunately they went out on a high. Sometimes criticised for it's smooth production and maybe it is a little but it works well with the material on this album.
It is 1141. In Shrewsbury, civil war is tearing the country apart as the bitter feud between King Stephen and Maud shows no sign of abating. Cadfael, safe within the peaceful walls of the Abbey, does not expect to be drawn on to the battlefield - but when a Welsh prisoner of war is brought to him for treatment of a sword-wound, he finds himself embroiled in the conflict. The young soldier is the foster son of the Prince of North Wales, and a prized possession. In fact, he is so valuable that he can be offered in exchange for Gilbert Prescott, the Sheriff of Shrewsbury, who has been captured by the Welsh.
The Man-Machine is the seventh studio album by German electronic music band Kraftwerk, released in May 1978. It includes the singles "The Model" and "The Robots". Upon its release, the New Musical Express stated: "The Man-Machine stands as one of the pinnacles of 1970s rock music." Although the album was initially unsuccessful on the UK Albums Chart, it reached a new peak position of number nine in February 1982, becoming the band's second highest-peaking album in the United Kingdom after Autobahn (1974). The Man-Machine was certified gold by the British Phonographic Industry on 15 February 1982…
Trouble Man is a soundtrack and twelfth studio album by American soul singer Marvin Gaye, released on December 8, 1972, on Motown-subsidiary label Tamla Records. As the soundtrack to the 1972 Blaxploitation film of the same name, the Trouble Man soundtrack was a more contemporary move for Gaye, following his landmark politically charged album What's Going On.
Michael Burks' third release on Alligator Records, Iron Man, is as close to being a live album as you can get from a studio performance. This could be attributed to Burks using his seasoned road band on this date instead of the Memphis studio musicians used previously on Make It Rain and I Smell Smoke. Alongside Burks' searing Flying V strut, Wayne Sharp's greasy Hammond B-3 dominates this set, reveling in soul and rock influences, including a cover version of Free's "Fire and Water," a definite nod to the blues-rock audience Burks has gained over his 30-plus years on the road. While Iron Man is an overall inspired modern electric blues disc, a few missteps hamper the session. "Ashes in My Ashtray," penned by Chicago bluesman Jimmy Johnson, would have made a better instrumental in this particular case, as the lyrics get in the way of an intense Burks guitar performance.