As the second album to document the second Mahavishnu Orchestra, this one isn't as, well, apocalyptic as its predecessor, yet it does focus more intently on the band itself. Jean-Luc Ponty's curling electric violin lines help give this Mahavishnu band a more European sound than its predecessor, and some of the orchestral concepts of Apocalypse work their way into the picture via comments by a string trio and trumpet/sax duo. This band also had some interest in a bombastic funk direction that may have been borrowed from Mr. "Chameleon" Herbie Hancock, and would later be followed by Mahavishnu Two's drummer, Michael Walden. Gayle Moran's ethereal vocals don't date as badly as those on many jazz-rock records; at least she can sing.
2007 five CD set, a great installment in Sony/BMG's Original Album Classics series that brings together rare and out of print titles with some best sellers from the Sony/BMG Jazz catalog. Many of these albums have been unavailable on CD for some time and are sought after by collectors. Each set is presented in a high quality, rigid cardboard slipcase containing five 'vinyl replica' mini LP sleeves. This collection from the Jazz ensemble features the albums Inner Mounting Flame, Birds of Fire, Between Nothingness & Eternity, Apocalypse and Visions of the Emerald Beyond.
A household name since the early '70s, John McLaughlin was an innovative fusion guitarist when he led the Mahavishnu Orchestra and continued living up to his reputation as a phenomenal and consistently inquisitive player through the years. He started on guitar when he was 11 and was initially inspired by blues and swing players. John McLaughlin worked with David Bowie, Alexis Korner, Graham Bond, Ginger Baker, and others in the 1960s and played free jazz with Gunter Hampel for six months. His first album was a classic (1969's Extrapolation) and was followed by an obscurity for the Dawns label with John Surman, a quintet set with Larry Young (Devotion), and My Goals Beyond in 1970 which was half acoustic solos and half jams involving Indian musicians.
The state of the second Mahavishnu Orchestra continued to be volatile in 1975, with violinist Jean-Luc Ponty out, keyboardist Gayle Moran replaced by Stu Goldberg, and all string and horn backings removed, leaving just a steaming quartet and this lone remarkable album. The addition of Goldberg, a more interesting musician than Moran, is significant, but the biggest charge is provided by the leader who, in tandem with the latest electronic equipment, turns in some of his most passionately alive playing of the whole Mahavishnu series.
Inner Worlds is an album by the Mahavishnu Orchestra. It's the group's fifth studio album. In 1975, violinist Jean-Luc Ponty and keyboardist Gayle Moran left the band. Also, all string and horn accompaniments the group used on its previous album, Visions of the Emerald Beyond, were dismissed. Stu Goldberg was brought in as a replacement for Moran, and then the album was recorded. This would be the last album by the Mahavishnu Orchestra for nearly ten years, when leader and guitarist John McLaughlin re-formed the group in 1984. The Mahavishnu Orchestra was a jazz-rock fusion group, led by John McLaughlin, that debuted in 1971 and dissolved in 1976 and reunited briefly from 1984 to 1987.
John 3:16 is the latest recording project from Philippe Gerber, formerly of Heat From a Deadstar. John 3:16 keeps pushing the boundaries of his music and delivers a very well-crafted and free-flowing release that is pure atmospheric bliss. For the duration of the 50 minutes of music presented in this album, we felt like floating in space (no need for drugs on this one) thanks to the dreamy atmosphere created. Packed in an excellent digipack, this release is totally worth your money if you are looking for experimental music that puts a high emphasis on atmosphere and flow of the songs.