M Men's

Les Agrémens & Guy van Waas - Dauvergne: La Vénitienne (2012) [Official Digital Download]

Les Agrémens & Guy van Waas - Dauvergne: La Vénitienne (2012)
FLAC (tracks) 24-bit/44.1 kHz | Time - 115:14 minutes | 1.07 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Dauvergne’s final operatic work follows neither of the established genres of the period, neither tragédie lyrique nor opéra-ballet. With La Vénitienne, the composer turned towards comedy.

Bo Sundström - Mitt dumma jag: Svensk jazz (2018)  Music

Posted by Domestos at April 17, 2018
Bo Sundström - Mitt dumma jag: Svensk jazz (2018)

Bo Sundström - Mitt dumma jag: Svensk jazz (2018)
XLD Rip | FLAC (tracks+.cue, log) ~ 220.28 Mb | 39:16 | Cover
Vocal Jazz | Label: Columbia/Sony - 19075806602

Den svenske vokalisten Bo Sundström er mest kjent som frontfigur og vokalist i bandet Bo Kaspers Orkester, som de siste 10-15 årene har vært en favoritt, gjerne hos et voksent, kvinnelig publikum. Bo Kaspers Orkesters to første plater ble spilt ofte i heimen (kanskje mest fordi det var et kvinnemenneske til stede), og låter som «Söndag i sengen» og «Ingenting alls» surret og gikk på de fleste radiokanaler på begynnelsen av 90-tallet.

RMFTM - Subversive III: Spelende De Mens (2017)  Music

Posted by aasana at Dec. 21, 2017
RMFTM - Subversive III: Spelende De Mens (2017)

Rmftm - Subversive III: Spelende De Mens (2017)
Electronic, Krautrock, Psychedelic Rock, Garage Rock | 73:58 min | WEB FLAC (tracks) | 477 MB
Label: Fuzz Club Records

The third and final instalment in RMFTM's mind-blowing Subversive trilogy ? following their incendiary Fuzz Club Session and recent collab album with Gnod, under the Temple ov BBV pseudonym. Throughout the series the Dutch art-punk/krautrock collective have sought to deconstruct and rebuild their creative process, pushing themselves to the limit with each and every release. Subversive III concludes the series and see's them take on their most sonically challenging form yet ? angular, incessant and industrial, the new long-player is an immense collision of noise, drones and feedback morphed into a collection of tracks that mercilessly blurs the line between techno and kraut with subtle psychedelic nuances bleeding through the relentless stabs of feedback, crushing synths and thunderous rhythms.
Jessi M’Bengue by Jennifer Stenglein for Playboy US May/June 2017

Jessi M’Bengue - Jennifer Stenglein Photoshoot 2017
17 jpg | up to 2880*2525 | 9.79 MB
French model

Abendzeitung München - 20. April 2018  Newspapers

Posted by Keves at April 20, 2018
Abendzeitung München - 20. April 2018

Abendzeitung München - 20. April 2018
German | 38 pages | True PDF | 48.1 MB

Missy Elliott - Respect M.E. (2006)  Music

Posted by Designol at April 20, 2018
Missy Elliott - Respect M.E. (2006)

Missy Elliott - Respect M.E. (2006)
EAC | FLAC | Tracks (Cue&Log) ~ 450 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Hip-Hop, Rap, R&B | Label: Atlantic, The Goldmind | # 7567-83955-2 | Time: 01:08:27

One of the great decade-long singles runs is straightforwardly documented on Respect M.E., a compilation distributed throughout Europe and, unfortunately, not released in the States. From 1997 through 2006, Missy Elliott's work – often the product of a partnership with producer Timbaland – was in steady rotation on the radio and on video programs. Nearly every time out, she came up with something fun, inventive, out of this world, and lasting, charting alternate paths for pop music while also projecting the image of a fully empowered plus-size woman in a mainstream populated by females who tended to be anything but. Although each one of Elliott's albums is well worth owning, nothing can deny the need for this release, which includes almost every noteworthy track she released during the period, from "The Rain (Supa Dupa Fly)" through the underappreciated "Teary Eyed." The most significant omissions are "Lick Shots" and "Take Away": hardly deal breakers. An ideal companion release would contain the hits Elliott wrote and/or produced for other artists, such as Aaliyah's "One in a Million," SWV's "Save Me," 702's "Where My Girls At," Nicole's "Make It Hot," Total's "What About Us," Monica's "So Gone," and Tweet's "Oops (Oh My)." During these years, there was no greater force in popular music.
Stuttgarter Zeitung Filder-Zeitung Vaihingen/Möhringen - 20. April 2018

Stuttgarter Zeitung Filder-Zeitung Vaihingen/Möhringen - 20. April 2018
German | 91 pages | True PDF | 40.9 MB
Stuttgarter Nachrichten Filder-Zeitung Vaihingen/Möhringen - 20. April 2018

Stuttgarter Nachrichten Filder-Zeitung Vaihingen/Möhringen - 20. April 2018
German | 83 pages | True PDF | 38.2 MB

WAZ Westdeutsche Allgemeine Zeitung Mülheim - 20. April 2018  Newspapers

Posted by Keves at April 20, 2018
WAZ Westdeutsche Allgemeine Zeitung Mülheim - 20. April 2018

WAZ Westdeutsche Allgemeine Zeitung Mülheim - 20. April 2018
German | 36 pages | True PDF | 25.0 MB

NRZ Neue Ruhr Zeitung Mülheim - 20. April 2018  Newspapers

Posted by Keves at April 19, 2018
NRZ Neue Ruhr Zeitung Mülheim - 20. April 2018

NRZ Neue Ruhr Zeitung Mülheim - 20. April 2018
German | 36 pages | True PDF | 26.4 MB