Lucky Bastard Robert Nathan

Lucky Bastard: My Life, My Dad, and the Things I'm Not Allowed to Say on TV [Audiobook]  eBooks & eLearning

Posted by tarantoga at March 10, 2017
Lucky Bastard: My Life, My Dad, and the Things I'm Not Allowed to Say on TV [Audiobook]

Joe Buck (Author, Narrator), "Lucky Bastard: My Life, My Dad, and the Things I'm Not Allowed to Say on TV"
ASIN: B01LZ2NJSI, ISBN: 1524702447 | 2016 | MP3@64 kbps | ~06:55:00 | 197 MB

Lucky Bastard: My Life, My Dad, and the Things I'm Not Allowed to Say on TV  eBooks & eLearning

Posted by Rare-1 at Nov. 30, 2016
Lucky Bastard: My Life, My Dad, and the Things I'm Not Allowed to Say on TV

Lucky Bastard: My Life, My Dad, and the Things I'm Not Allowed to Say on TV by Joe Buck
English | ISBN: 1101984562 | 2016 | EPUB | 284 pages | 17.93 MB

Lucky Bastard (2014)  Video

Posted by MirrorsMaker at July 29, 2015
Lucky Bastard (2014)

Lucky Bastard (2014)
HDRip | AVI | 720 x 400 | XviD @ 1851 Kbps | English AC3 2.0 @ 192 Kbps | 93 min | 1,41 Gb
Genre: Crime, Drama, Thriller

Lucky Bastard is a "found footage" thriller about a porn website run by Mike (Don McManus) that invites fans to have sex with porn stars. Jay Paulson plays Dave, an eager young fan given a chance to have sex with the fabulous Ashley Saint (Betsy Rue). But everyone gets more than they bargained for in the seemingly mild-mannered Dave… with gruesome results. The film is captured by the "Lucky Bastard" porn cameras for a fresh take on the "found footage" genre.

One Lucky Bastard: Tales from Tinseltown  eBooks & eLearning

Posted by Bayron at July 1, 2015
One Lucky Bastard: Tales from Tinseltown

One Lucky Bastard: Tales from Tinseltown by Roger Moore
English | 2014 | ISBN: 1493007971 | 272 pages | EPUB | 21,5 MB
Perspectives in Carbonate Geology: A Tribute to the Career of Robert Nathan Ginsburg

Perspectives in Carbonate Geology: A Tribute to the Career of Robert Nathan Ginsburg
by Peter K. Swart, Gregor P. Eberli, Judith A. McKenzie
English | 2009 | ISBN: 1405193808 | 400 pages | PDF | 17.97MB

Bastard! 1-27  Comics

Posted by Lebedev30 at March 8, 2017
Bastard! 1-27

Bastard! 1-27
Japanese | HAGIWARA Kazushi | CBR | 27 Volumes | 1.2 Gb
Genre: Action Adventure Comedy Drama Ecchi Fantasy Harem Seinen Supernatural

Stealth Bastard Deluxe Complete Edition (2012)  Games

Posted by Lebedev30 at March 7, 2017
Stealth Bastard Deluxe Complete Edition (2012)

Stealth Bastard Deluxe Complete Edition (2012)
PC Game | Developer: Curve Digital | 226.3 MB
Languages: English
Version GOG: 2.0.0.1
Genre: Action - Puzzle - Stealth

Robert Plant - Dreamland (2002) Japanese Press  Music

Posted by Designol at Feb. 26, 2017
Robert Plant - Dreamland (2002) Japanese Press

Robert Plant - Dreamland (2002) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 409 Mb (incl 5%) | Mp3 (CBR320) ~ 171 Mb (incl 5%) | Scans included
Classic Rock, Hard Rock, Psychedelic Rock | Label: Mercury | # UICR-1024 | Time: 00:59:15

At their best, cover albums have a strange way of galvanizing an artist by returning to the songs that inspired them; the artists can find the reason why they made music in the first place, perhaps finding a new reason to make music. Robert Plant's Dreamland – his first solo album in nearly ten years and one of the best records he's ever done, either as a solo artist or as a member of Led Zeppelin – fulfills that simple definition of a covers album and goes beyond it, finding Plant sounding reinvigorated and as restless as a new artist. Part of the reason why this album works so well is that he has a new band – not a group of supporting musicians, but a real band whose members can challenge him because they tap into the same eerie, post-folk mysticism that fueled Led Zeppelin III, among other haunting moments in the Zep catalog. Another reason why this album works so well is that it finds the band working from a similar aesthetic point as classic Zeppelin, who, at their peak, often reinterpreted and extrapolated their inspirations, piecing them together to create something startlingly original.
The Robert Fripp String Quintet - The Bridge Between (1993) {Discipline Records DR 9303 2}

The Robert Fripp String Quintet - The Bridge Between (1993) {Discipline Records DR 9303 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1993 Discipline Records | DR 9303 2
Art Rock / Progressive Rock / Instrumental / Guitars

Fusing the talents of Robert Fripp, Trey Gunn, and the California Guitar Trio, you'd be wrong to assume that The Bridge Between is a boring album of guitar aerobics for guitar enthusiasts. This is a wonderful piece of work. Its most dubious attribute is to sometimes descend into Sky (the Anglo-Australian outfit formed by John Williams, Francis Monkman etc) territory in its medieval harpsichord delivery ("Passacaglia," "Contrapunctus"). However "Kanon Power" and standouts "Bicycling to Afghanistan" and "Blockhead" are fretboard knitted excellence. Unfortunately, the latter two are separated by a five-minute downbeat – "Blue" – and the set is spoiled by a near-13-minute endgame "Threnody for Souls in Torment," which would be better placed elsewhere. None the less, you can always hit the stop button after "Passacaglia" or better, stick "Afghan" and "Blockhead" on repeat!
Lucky Peterson - Beyond Cool (1993) {Verve 521 147-2} (ft. Laurent Cugny)

Lucky Peterson - Beyond Cool (1993) {Verve 521 147-2} (ft. Laurent Cugny)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 404 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar
© 1993 Verve / Polydor / PolyGram / Gitanes Jazz | 521 147-2
Blues / Blues Rock / Soul Blues / Modern Electric Blues / Funk Blues

Here Lucky goes to Memphis. Several years into a solo career, the former blues whiz kid plays good keyboards and guitar, and sings stirringly on originals and covers from all over the black music map (Stevie Wonder, Jimi Hendrix, Les McCann & Eddie Harris, blues piano master Roosevelt Sykes, etc.) His modern soul-cum-blues is hot, sweaty, and aggressive, and he gets the job done in busy arrangements shared with the Memphis Horns, honey-throated back-up singers, and muscular hired guns like bassist Willie Weeks and drummer Crusher Green. Peterson had the good sense to collaborate with New Yorker Jim Payne when writing five songs for the album, including the killer slow blues instrumental that doubles as the album title.