Tegan and Sara have never been shy about changing up their sound, but 2013's Heartthrob was their biggest leap yet, one so drastic that it left some of their fans behind. Their slickly produced modern pop sound also gained them lots of new fans in return without sacrificing the intense emotions, lyrical insight, and songcraft their earlier albums delivered. Turns out the sisters are great pop vocalists, too. Their next album, 2016's Love You to Death, stuck to the same basic template, retaining Greg Kurstin as producer and surrounding their heartbreak ballads and empowering new wave rockers with glitteringly clean synths, percolating drum machines, and state of the art production.
On average, seven women are killed every month in Britain by their husband, partner or ex-partner. Vanessa Engle’s ambitious and important film tells the gripping and untold human stories behind this shocking yet faceless statistic, shedding light on a majorly important subject - the continuing and disproportionate violence visited by men on women every day.
Lizzy Borden has spent nearly 25 years creating some of the most theatrical metal in existence and in the process has become nothing short of a metal icon. Releasing classics such as Love You to Pieces (1985) and Master of Disguise (1989) and obliterating audiences worldwide with a stage show that rivals that of Marilyn Manson and Alice Cooper. The glam-poppy Lizzy Borden was also ran in the hair metal sweepstakes, but its debut album, 1985's Love You to Pieces, holds up better than many other documents from the era. Metal Blade reissued Love You to Pieces in 2002, remastering the album and adding four demo songs as bonus tracks. It's a nice reissue overall.
Lobo is best remembered for soft-rock perennials like "Me and You and a Dog Named Boo" and "I'd Love You to Want Me" in the 70s. This is a short collection of Lobo's hits put out by the Rhino label. These are all original recordings.
Love It to Death is the third album by Alice Cooper, released in 1971. Hits include "Ballad of Dwight Fry", "Is It My Body", and one of Cooper's trademark songs, "I'm Eighteen". After two failed albums, this was the album that brought the Alice Cooper band into the mainstream. Much credit is generally given to producer Bob Ezrin, cleaning up the band's sound with fresh ideas and making it more accessible, most notably on the track, 'I'm Eighteen'. It originally was a much longer song, and in more of a psychedelic vein like the band's first two albums, which contained several longer songs.