In 1999, Collectables released I Don't Worry About a Thing/Mose Alive!, which contained two complete albums – I Don't Worry About a Thing (1962, originally released on Atlantic) and Mose Alive! (1965, originally released on Atlantic) – by Mose Allison on one compact disc.
The Legacy Collection plunders the deepest depths of the Disney sound archive to collect, with unprecedented completeness, the audio histories of 11 classic animated films from each era of the Disney Studios, from Lady and the Tramp and Aristocats to Little Mermaid and the Lion King to Toy Story and Wreck-It Ralph, with one more CD devoted just to Disneyland. Each disc contains the full score of a film from opening to closing credits, unreleased rarities, and bonus material. Then there's the books.
The Mose Allison installment in Atlantic's Jazz Anthology series of 1970 is superior to most in that line simply on the grounds of time. Since Allison's songs were usually brief, Atlantic was able to fit 12 of them onto a single LP and thus provide a wider selection of his output, unlike others in that series that included only five or six tracks, making it serve as a pretty good capsule introduction to one of American music's most idiosyncratic individualists. Many of his most famous songs are here – "Your Mind Is on Vacation," "New Parchman," "I'm the Wild Man," "I Don't Worry About a Thing," and "Your Molecular Structure," along with covers like "Rollin' Stone" and a rushed live remake of his biggest "hit," Willie Dixon's "Seventh Son".
This box is the definite overview of Georgie Fame's Columbia recordings, gathering all 46 tracks from Fame's four albums for the UK Columbia recordings, with no less than sixty bonus tracks from non lp singles, non lp EP tracks, album outtakes, BBC sessions, a 1963 demo session and stray live recordings. Several tracks included have previously been issued only on limited Japanese editions of these Fame albums. Georgie Fame is a seminal figure in British popular music who helped to introduce the sounds of rhythm and blues, jazz, soul, ska and other ‘black’ music styles to a UK audience in the 1960s.
Back when the Rolling Stones were proud to be the voice of revolt and Mick Jagger was as far away from his knighthood as Zayn Malik is from a seat in the House of Lords, they were, very occasionally, modest, not to say humble. A couple years after cutting their eponymous first album in 1964, chock full of covers of blues and rhythm and blues songs by black artists including a buzz-toned slice of anthropomorphism about our favourite honey-making insect, Jagger told Rolling Stone magazine: “You could say that we did blues to turn people on, but why they would be turned on by us is unbelievably stupid. I mean what's the point in listening to us doing ‘I’m a King Bee’ when you can hear Slim Harpo do it?”
GOIN’ HOME is an exploration into the music of Shepherd’s biggest influences, and features guest performances by some of his closest friends (who also happen to be some of the greatest musicians performing today), including Ringo Starr, Joe Walsh, Warren Haynes, Keb’ Mo’, Robert Randolph, Kim Wilson (Fabulous Thunderbirds), Pastor Brady Blade, Sr. and the Rebirth Brass Band.
Georgie Fame's swinging, surprisingly credible blend of jazz and American R&B earned him a substantial following in his native U.K., where he scored three number one singles during the '60s. Fame played piano and organ in addition to singing, and was influenced by the likes of Mose Allison, Booker T. & the MG's, and Louis Jordan. Early in his career, he also peppered his repertoire with Jamaican ska and bluebeat tunes, helping to popularize that genre in England; during his later years, he was one of the few jazz singers of any stripe to take an interest in the vanishing art of vocalese, and earned much general respect from jazz critics on both sides of the Atlantic.