Here is an instruction manual for singers. Phrasing, intonation, breath control, taste, musicianship, restraint, humor; it's all here. What with "jazz singing" wandering all over the lot as the century staggers to a close, let's hope that The Complete (what dimensions that phrase has in this context) Ella and Louis will be used for serious course work, and not just by beginners. The package contains everything from the LPs Ella & Louis, Ella and Louis Again and Porgy and Bess, plus two tracks of Fitzgerald sitting in with Armstrong's band at the Hollywood Bowl. The contrast between her polished perfection and his rough perfection is delicious. Armstrong's trumpet playing, nearing its last full burst of glory, is as moving as his voice.The songs are by the cream of American song writers, including Gershwin, Berlin, Porter, Arlen, Ronnell, Duke and Kern. They have never been sung better.
The complete recorded output, on a 3CD Deluxe Boxed Edition, by Louis Armstrong and The Dukes Of Dixieland - for the first time ever in a single collection. This collection contains both the master takes and all the alternates. Half of this music appears here on CD for the first time ever. These original LPs “The Definitive Album by Louis Armstrong” (1959) and “Louis and the Dukes of Dixieland” (1960) were among the first stereo recordings to fully capture Louis’ magic sound. His trumpet playing & vocals were as fine as ever - on classic songs that weren’t part of his usual repertoire, such as “Dixie”, “New Orleans” and “Sweet Georgia Brown”, which he had never previously recorded.
The 43 tracks that make up the first part of the The Complete Decca Studio Master Takes 1940-1949 of Louis Armstrong are remarkable not only for the outstanding performances they reflect, but for the many settings Armstrong recorded in during the era. While none of this material will come as a surprise to collectors, those who are starting to check out Armstrong's post-New Orleans period would do themselves a favor in scoping this collection because the Decca years, even more so than his long tenure with Verve, showcase Armstrong at the pinnacle of American popular music, and that that music happens to be jazz is even more revelatory.
24-bit remastered French exclusive compilation is packaged in a well designed digipak. 24 tracks performed by Louis Armstrong with various ensembles, His Hot Five, His Hot Seven, His Orchestra, Savoy Ballroom Five & others.
Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. …
Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars. This group included ex-Ellington clarinetist Barney Bigard, ex-Jimmie Lunceford swing-to-bop trombonist Trummy Young, bassist Mort Herbert, and drummer Danny Barcelona. A second session took place during the afternoon of the following day.