Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A tight quartet set from the great Lou Donaldson – cut in the early 80s and his first set for the Timeless label! Donaldson is of course unforgettable, always sounding his finest in quartet form – here doing his thing with passion with Herman Foster on piano, Geoff Fuller on bass and Victor Jones on drums. Titles include "Confirmation", "Whiskey Drinkin' Woman", "This Is Happiness", "Exactly Like You", "Don't Blame Me", "Melancholy Baby" and Donaldson's terrific centerpiece "Tracy".
These sessions were recorded for Blue Note in 1961 and 1963. The first date features five cuts with Jack Mcduff on organ, Grant Green on guitar, and Joe Dukes on drums. The four remaining cuts were recorded two years later with John Patton on organ, Ben Dixon on drums, and the addition of Irvin Stokes on trumpet. This is a mainly mellow affair with six of the nine tracks exchanging the hard bop and soul-jazz of the times for ballads and slow blues. However, the occasional up-tempo funky surprise does pop up on "My Melancholy Baby" and the Donaldson originals "Hipty Hop" and "Soul Meetin'."
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A real gem from the great Archie Shepp – an overlooked treasure from his years as a straight jazz musician – a time we come to appreciate more and more as the years go by! The Shepp heard here is one who's still got all the raw tone and bite of the old days, but also finds a way to swing things on a set of familiar standards – so that he's cutting these great raspy lines out of tunes you might already know – but which are taking on a whole new life in the process.
Swing and Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson's Quintet with Herman Foster, Peck Morrison, Dave Bailey, and Ray Barretto.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Janice Lakers is a singer we only know from this one album – but she's a hip vocalist with a very compelling style – one that's very much in the best mode of some of the cooler American jazz singers of the late 70s! The song choices are great – some hipper jazz standards – and she's got a way of opening up with the lyrics that's far different than older vocal modes of the 50s – instead nearer to the territory of artists like Janet Lawson or Judy Roberts. Backing is by a hip trio with Debbie Poryes on piano – who really open up with their own sense of presence on the record, too – and titles include "Waltz For Debby", "Like A Lover", "Falling Grace", "Rainbow Lady", "In Your Own Sweet Way", and a nicely grooving take on "Moondance".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Hein Van Der Gaag definitely gets right to the point here – starting off the album with a great version of Horace Silver's "Ecaroh" that's filled with these descending note clusters that really open up the tune – setting up this bold, dark mood which is then balanced over the course of some more introspective tunes that follow! The approach is great – that really special way of creating a trio session that the Limetree label had during the 80s – a quality that's maybe made the imprint one of the best on the European scene at the time for piano jazz. Hein's group here features Joep Lumey on bass and Ben Schroeder on drums.
Don't ya just love 'em? Jazz critics that is. I was reading just the other day what a complete waste of Lou Donaldson's ample talents his late 60's boogaloo beat records are. Well I am sorry - but I think they're great! It's all an attitude - sure LD's blowing is represented better elsewhere - but that just isn't the point. What we have here is archetypal party music, be it a scene from a 1960's movie or the Wag one Monday in the late 80's bursting at the seems as "Rev. Moses" shifts up a gear.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.