RCA put a major push behind Armenian conductor Loris Tjeknavorian in the 1970s and '80s, and this two-disc set, Khachaturian: Gayne (Complete Ballet), restores to the active catalog a highly desirable recording at a price that is entirely reasonable. When it first appeared in 1976, Tjeknavorian's Gayne (Gayane), made with the National Symphony Orchestra, was a mite controversial in that it was marketed as "complete"; Khachaturian fanatics had long sought a complete Gayne, as the suites Khachaturian had prepared from the ballet were common on recordings, but not the work as a whole.
Kolsimcha’s new collusion with the London Symphony Orchestra is a magnificent, refreshing and truly original departure – a brilliant fusion of cultures and styles, and comedy and sympathy.
With this new production of La traviata at the 2011 Aix-en-Provence Festival, Natalie Dessay made her first European appearances as Verdi’s Violetta, a pinnacle of the soprano repertoire. She made her debut in the role in 2009 at the Santa Fe Festival in the US, and subsequently sang Violetta in Japan. Dessay’s 2011-12 season will include La traviata at the Vienna State Opera (in this Aix-en-Provence production by French theatre and opera director Jean-François Sivadier) and the New York Metropolitan.
YONDANI BUTT was born in Macau. He studied conducting with Wolfgang Vacano (1906–1985) at Indiana University, majoring in chemistry. He continued to study conducting with Josef Blatt (1906–1999) at the University of Michigan while pursuing his chemistry degree. Hailed by Robert Marsh of the Chicago Sun Times as “an outstanding talent”, Yondani Butt has received acclamation from critics and audiences for his many CD recordings and concert performances. He died on 28th August 2014.
Colin Davis is arguably the finest Berlioz conductor in the world; both of his recordings of Les Troyens are magnificent and elsewhere he's rarely bettered. His winning streak continues with this live performance with the LSO of Harold in Italy and the ballet music from Troyens. Tabea Zimmermann's solo viola is as grand, brilliantly flavorful, and picturesque as the LSO's playing; and the entire performance swift and rhythmically propulsive is simply fantastic.