The second volume of Thelonious Monk's appearance at the 1963 Monterey Jazz Festival is drawn from two separate concerts on back to back days, with the pianist joined by longtime tenor saxophonist Charlie Rouse, bassist John Ore and drummer Frank Dunlop…
Jimi Plays Monterey is a posthumous live album by Jimi Hendrix. The album documents The Jimi Hendrix Experience's performance at the Monterey Pop Festival on June 18, 1967. As well as songs from the band's debut album Are You Experienced, Monterey also includes covers of "Killing Floor" (Howlin' Wolf), "Like a Rolling Stone" (Bob Dylan), "Rock Me Baby" (B. B. King) and "Wild Thing" (Chip Taylor). The version of "Wild Thing" on the album is one of the most notable live performances ever, as, in an iconic moment in rock history, he sets his guitar alight after the song and then smashes it.
Recorded live at the 1979 Monterey Jazz Festival, Herman and his Young Thundering Herd welcomed trumpeters Woody Shaw and Dizzy Gillespie and trombonist Slide Hampton to the bandstand for "Woody'n You" and "Manteca," and featured guest Stan Getz on a typically beautiful rendition of "What Are You Doing the Rest of Your Life?" The other side of the original LP finds the Herd sounding in spirited form on four standards with baritonist Gary Smulyan and tenor saxophonist Frank Tiberi (who doubles on bassoon during "Caravan") taking solo honors.(Scott Yanow - AllMusic Guide)
A fantastic addition to the Barney Kessel catalog of the 50s – a never-heard live set that has the guitarist in form that's every bit as strong as his famous albums for Contemporary Records! In fact, the strength of the recording may well capture Kessel at a level that beats those sessions – as Barney's playing live, with a bit more bite – and really grabs us with the strong tone on his solos – and the sense of energy he gets in a quartet that also includes a young Pete Jolly on piano! The recording quality is excellent – crystal-clear, and very focused – and the set isn't one of those lost tapes that should have stayed "lost" – but instead a real lost chapter in Barney's tremendous career.
Grand Master Quincy Jones, jazz genius and Michael's Jackson producer, said: "She has true blues roots in her voice from which you could swear that she comes from the ghetto!"
The tapes of these two 1964 San Francisco shows stayed locked up at Columbia Records until the label drew a double-LP from them shortly after Monk's death in 1982. Never issued on CD in the U.S., that album is now superseded by this packed document that nearly doubles its length, restores edited portions of several performances, and adds a dozen performances that sometimes better the original recordings. Monk, saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley are unsurprisingly on point for the dates, which are filled with numerous classics from the Thelonious book.