This release presents a complete never before released live performance by the great Bill Evans with an unusual trio that never made a studio album (featuring drummer Philly Joe Jones and bassist Marc Johnson). Joining them are Lee Konitz for three amazing quartet tracks, Curtis Fuller (who joins Konitz and the trio for a marvelous quintet version of Lover Man), and Stan Getz and Christian Escoude (who join Fuller and the trio for the finale on All the Things You Are). A rare interview with Evans made right after the Nice concert has also been included on this release, as well as another unissued concert by the same trio taped in Italy a few days later.
Released in October 1984, Them or Us is Frank Zappa's last studio rock album (unless one counts Thing-Fish). It contains a little of everything for everyone, but most of all it has that cold and dry early-'80s feel that made this and other albums like The Man From Utopia and Frank Zappa Meets the Mothers of Prevention sound dated pretty quickly. The record begins and ends with covers. "The Closer You Are" is one of those '50s R&B tunes the man loved so much.
Chaka Khan (born Yvette Marie Stevens; March 23, 1953), frequently known as the "Queen of Funk", is a 10-time Grammy Award winning American singer-songwriter who gained fame in the 1970s as the frontwoman and focal point of the funk band Rufus. While still a member of the group in 1978, Khan embarked on a successful solo career. Her signature hits, both with Rufus and as a solo performer, include "Tell Me Something Good", "Sweet Thing" which she wrote for her then husband Richard Holland, "Ain't Nobody", "I'm Every Woman", "I Feel for You" and "Through the Fire".
Spanish band Bloque's first album was quite a solid record in terms of guitar-dominated melodic rock but not to be compared with their second one for example exhibiting much more resemblance with 70's Italian progressive rock acts like PFM. First track "Undecimo poder" could be described more or less as plain energetic guitar-dominated hard rock though having as well some nice Hammond organ sound. "Albelardo y Eloisa" is mostly kept in a mellow and romantic vein with atmospheric keys and a blues-tinged guitar before it starts rocking off towards its end. One could think of some earlier, more blues-inspired Floyd work as a reference point…