Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.
Après vingt-quatre années passées au bureau du shérif du comté d'Absaroka, dans le Wyoming, Walt Longmire aspire à finir sa carrière en paix. Ses espoirs s'envolent quand on découvre le corps de Cody Pritchard près de la réserve cheyenne. Deux années auparavant, Cody avait été un des quatre adolescents condamnés avec sursis pour le viol d'une jeune indienne, Melissa Little Bird, un jugement qui avait avivé les tensions entre les deux communautés. …
If the hyped-up ska of the Mighty Mighty Bosstones is your thing, you're sure to also dig the Japanese group Kemuri. Their debut full-length, Little Plaything, is a supercharged explosion of fast drumming, horn bursts, and guitar playing that alternates equally between distorted metal and clean ska. Their lyrics deal with the usual alterna-ska themes that the Bosstones, Sublime, etc., have touched upon, such as working hard at a nowhere job ("Workin' Dayz") and keeping a P.M.A. – which means positive mental attitude – throughout life's trials and tribulations (the opening "New Generation"). The album does successfully convey the party-out-of-control atmosphere of today's ska movement, as evidenced on "Rainy Saturday," "Knockin' on the Door," and "Prayer," while "Don't Know" sounds quite a bit like early Fishbone. But not all of Little Plaything hits the mark, especially the annoyingly clichéd introduction to the above-mentioned track "Workin' Dayz," which features a Valley Girl doing her usual trademark spiel. But at the very least, Kemuri's Little Plaything is equal to the majority of the ska-laced alternative that ruled MTV and the radio airwaves in 1997.
Hawkwind are an English rock band and one of the earliest space rock groups. Their lyrics favour urban and science fiction themes. Formed in November 1969, Hawkwind have gone through many incarnations and they have incorporated different styles into their music, including hard rock, heavy metal, progressive rock and psychedelic rock. They are also regarded as an influential proto-punk band. Dozens of musicians, dancers and writers have worked with the band since their inception. Notable musicians to have performed in the band include Lemmy, Ginger Baker and Huw Lloyd-Langton, but the band are most closely associated with their founder, the singer, songwriter and guitarist Dave Brock, who remains the only original member.
Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence.
Spike Lee directs this quietly gripping documentary exploring the 1963 bombing of the 16th Street Baptist Church in Birmingham, Alabama, in which four African-American girls were murdered. Lee uses the incident to explore race relations and civil rights in the 1960s, and examine how tragic events like these reverberate through the decades to today. An unflinching look at the not-so distant past that should be required viewing for all.