This depiction of childhood and adolescence draws heavily from the filmmaker's own boyhood. Like many of their compatriots, Hou's family moved from the mainland to Taiwan in 1948 and was unable ever to return. The film focuses on the widening generation gap in a family cut off from its cultural heritage.
Hasegawa is writing a sequel to his previous novel, based on a true character who murdered 9 people on the street, with the premise that the killer had a brother. The main character in his new novel, Harumi, drops out of high school and leads a quiet life, unable to understand his brother. He is scared that the same blood runs in his veins but is also enraged by the fact that his brother’s life is consumed as material for novels by many writers.
Wu Tung, the lascivious god of Carnal Desire, falls for one of his conquests, only to see her destroyed by other jealous gods. Distraught, he demands the girl's village to send him a virgin every month or face his wrath.
Rhino's The Best of Buddy Knox is a definitive 18-track compilation featuring all of the hits the light rockabilly cat ever had, including "Party Doll," "Rock Your Little Baby to Sleep," "Hula Love," "Swingin' Daddy," "Somebody Touched Me," "Teasable, Pleasable You," "That's Why I Cry," "I Think I'm Gonna Kill Myself," "Lovey Dovey," and "Ling-Ting-Tong."
Give this New Orleans master enough studio time, and he'll redo the entire history of postwar R&B his own way. Here he lays his mind to Joe Simon's powerhouse soul ballad "Nine Pound Steel," the Midnighters' "Let's Go, Let's Go, Let's Go," even Bill Haley & the Comets' "Skinny Minnie," and the Five Keys' loopy "Ling Ting Tong," giving each the same singular treatment that he's always brought to his recordings. George Porter and Herman Ernest return to lay down their immaculate grooves, and Fred Kemp blows sturdy sax on Eaglin's parade-beat "I Went to the Mardi Gras."