This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
This follow-up to the Guitar Legendary Licks 1983-1988 DVD contains the band's music from the late '80s and early '90s. Each riff and solo is played up to speed, then broken down note by note, then played at a slow tempo. An in-depth analysis of eight songs.
THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Recorded as a guitar-less trio (Hugh Hopper on bass, Kramer on piano, organ, and tape loops, plus Damon Krukowski on drums), Huge is marginally less chaotic than Hopper and Kramer's previous collaboration, 1994's A Remark Hugh Made. Each of the songs is a relatively concise (only two tracks break the five-minute mark) and melodic improvisation on a basic theme, which generally is introduced, soloed upon, and quickly resolved, with Kramer's found voices and sound effects providing the album's only truly random element.
By 1952, Teddy Wilson's flawless swing style had already been fully formed for at least 17 years, and it would not change at all during the remaining three decades of his life. Wilson's performances were predictably excellent, but predictable nonetheless. This limited-edition five-CD set has all of the pianist's Verve trio recordings, which includes six-and-a-half former LPs (the half was an appearance at the 1957 Newport Jazz Festival), a set only released previously in Japan, and a live date that had never come out before.