"This is a comprehesive Self Defense System taught by the most qualified instructors of Krav Maga in the world."
Noah Levine (born 1971) is an American Buddhist teacher and the author of the books Dharma Punx: A Memoir and Against the Stream. As a counselor known for his philosophical alignment with Buddhism and punk ideology, he identifies his Buddhist beliefs and practices with both the Theravada and Mahayana traditions. He holds a master's degree in counseling psychology from CIIS.
In many ways this is a special recording. It features first-desks from the Chicago Sym. playing two of Bach's Brandenburg Concertos, and so far beyond the average Baroque ensemble are they that one yearns for the other four. Just to hear the amazing trumpet solos in Concerto no. 2 by the legendary Adolph Herseth repays the cost of the CD. But we also get James Levine doing double duty at the harpsichord in Concerto no. 5. One deficit from the rise of period performance is that non-specialists have been driven out. The days when an all-around musician like Levine or Leonard Bernstein performed Bach and Handel are more or less over, and their replacements, to be tactful, are not on such an exalted level of talent…. By Santa Fe Listener
Leading the enormous forces to bring Puccini's huge vision to life in this now-legendary performance, James Levine presides over an evening of three one-act operas that cover the full spectrum of human experience. The great singing actress Renata Scotto is featured in all three operas, perhaps most memorably in her searing portrayal of Suor Angelica - a nu whose extreme atonement for he sin ultimately wins her redemption.
The Italian mezzo-soprano Cecilia Bartoli is one of the most charming and talented singers to appear on the scene in recent years, and this collection of Italian songs by three great opera composers–Bellini, Donizetti, and Rossini–is a most deserving bestseller. There are many small pleasures in the selections, which reflect the bel canto predilections of their authors, and Bartoli renders them artfully. Some will be familiar even to casual listeners (Rossini's La Danza, the famous tarantella); others will be new to most, but equally deserving of a hearing. The sensitive and skillful accompaniment is by conductor-pianist James Levine.
This MET production of Bedrich Semtana's classic folk opera boasts a superb cast, including Nicolai Gedda, Jon Vickers, Teresa Stratas, and Martti Talvela. The staging and mis-en-scene is traditional and very well done. Everyone seems to be enjoying this presentation. Although not to the same standard as today's HD productions, this is still a wonderful way to get to know this delightful opera.
James Levine's is a more recent entry in the realm of Dutchman recordings, and sonically the recording is absolutely stunning, with great attention having been paid to the recording process. The casting for this Metropolitan Opera effort is also uniformly first rate, even in the less grateful roles of the hapless Erik, sung by the impressive Ben Heppner, and the scolding nurse, Mary, sung by Birgitta Svendén. Morris's brooding Dutchman is hard to match on any other available recording, and Deborah Voigt is a ravishing Senta. The chorus work is quite good, though not quite as rich as that heard in the Solti/Chicago recording. Overall, Levine does a workmanlike job of conducting these impressive forces, though there are passages in which his tempi seem to drag. This recording is a must for anyone who needs a completely up to date version of Wagner's first major opera.
As Professor Amy-Jill Levine observes: "The Old Testament is endlessly fascinating because it offers everything to explore: myth, saga, and history; tragedy, comedy, and farce; economics and politics; literature and poetry of surpassing beauty; court intrigue and prophetic morality; heavenly miracles and sometimes heavenly silence; questions of theodicy; answers that satisfy and answers that may not; destruction and rebuilding; despair and hope."