West Side Story was a bit of an unusual session for several reasons. First, the popularity of both the Broadway musical and the film version that followed meant that there were many records being made of its music. Second, rather than woodshed on the selections prior to entering the studio, the Oscar Peterson Trio spontaneously created impressions of the musical's themes on the spot. "Something's Coming" seems like a series of vignettes, constantly shifting its mood, as if moving from one scene to the next. Ray Brown plays arco bass behind Peterson in the lovely "Somewhere," while the feeling to "Jet Song" is very hip in the trio's hands…
Leonard Bernstein bestrode the musical scene in the second half of the 20th century like few others. For the last decade of his life he recorded exclusively for Deutsche Grammophon, having also made several recordings for the label in the 1970s, starting with his celebrated Carmen in 1973.
VOLUME ONE comprises Bernstein's complete recordings of composers from Beethoven to Liszt, and includes all of Bernstein's recordings of his own works, those of Brahms and Haydn, and individual CDs of Bruckner, Debussy, Dvorak, Elgar, Franck, Hindemith and many American composers.
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer and pianist. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), as well as the opera Porgy and Bess (1935).
This film version of the Leonard Bernstein/Stephen Sondheim score of a modern, urban Romeo and Juliet spent more weeks at #1 in the charts (54) than any other album in history. It is an effective rendition of the score, featuring Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris, and features all of the show's important songs, among them "Something's Coming," "Maria," "Tonight," and "Somewhere."( William Ruhlmann - AllMusic Guide )