Of the first of Lasting Weep's two posthumous releases of, this one is actually the only one that could be regarded as their only testament, made from five recording sessions between 1969 and 1971, two of them for soundtracks to films or images. LW was made up of future Quebecois greats flutist/saxophonist Bergeron and multi-instrumentalist Langlois (both future Maneige), drummer Mathieu Leger (future Conventum and l'Orchestre Sympathique) and bassist Chapleau (found as a session musician on a lot of 70's records). Apparently these archives were found in one of musician's attic; and most thankfully these tapes can be finally made public.
As on Caetano Veloso's album from the same year, Gilberto Gil does not sound happy away from his homeland. Recorded in London, the eight songs on his final self-titled album are mostly blues and introspective, downbeat pop songs. Steve Winwood's "Can't Find My Way Home" is an inspired choice, delivered with a crushing sentimentality rarely found in other versions. Gil also reprises "Volks, Volkswagen Blues" from his 1969 LP. The effect isn't quite as doom-laden as Veloso's work, but Gil is definitely homesick, as the touching "Nêga (Photograph Blues)" shows. [This CD reisssue includes three bonus tracks: a live version of "Can't Find My Way Home" along with "Up from the Skies" and "Sgt. Pepper's Lonely Hearts Club Band."]
A nifty 2-CD repackaging / reissue of Freedom's two albums 'Freedom At Last' ('70) and 'Through The Years' ('71). Most of you probably already know that Freedom was formed with two former Procol Harum members, guitarist Ray Royer and drummer Bobby Harrison. Best described as early '70's progressive / blues rock. Might appeal to some fans of Blodwyn Pig, Cream, British Lions, Traffic, Medicine Head and possibly Box Of Frogs.
When Québec progressive rock band Lasting Weep disbanded in 1972 after a 4 year run they did so with some unfinished business, something founding member Jérôme Langlois would rectify almost 4 years later. While Lasting Weep never really managed to get off the ground in their search for recognition, Langlois would find some measure of artistic success with Maneige, a band which played an integral role on the local progressive scene. Just prior to disbanding Lasting Weep were working on an ambitious piece of music called "L'Albatros" (The Albatros) which was a musical suite based on the poem The Rime of The Ancient Mariner by Samuel Taylor Coleridge.
The Bar-Kays were early progenitors of '70s funk. BLACK ROCK/GOTTA GROOVE is two records on one CD; both albums feature early incarnations of the band. The tracks on GOTTA GROOVE are from 1968, one year after the group had lost four of its members in the same plane crash that killed Otis Redding.
For the Funk of It is the second thematically focused volume in Blue Note's Original Jam Master Series that draws from guitarist Grant Green's late-period recordings for the label, from 1969 to 1972. Some of the players involved in these sessions include drummer Idris Muhammad, saxophonist Claude Bartee, Jr., Cornell Dupree (rhythm guitar), percussionists Hall Bobby Porter and Ray Armando, bassist Chuck Rainey, organist Emanuel Riggins, and many others. The material here is less bombastic than the soul and funk covers on Green's Ain't It Funky Now!, but they are still deep in the jukebox soul-jazz groove that was rapidly disappearing during the era.
Quintessence was the great underground band of the 1970s. Formed in March 1969, they were quickly signed to Island Records and later that year released their debut album, In Blissful Company. Between 1969-71, Quintessence, a counterculture phenomenon, made three albums for Island Records. Now, recently sourced from Island's multi-track tapes and digitised at Abbey Road Studios, this packed 2CD set reveals a wealth of stunning, hitherto unheard recordings in pristine studio sound.