Quando apparve questo libro, Robert Craft scrisse: «Si può dire con certezza che La generazione romantica di Charles Rosen – che segue Lo stile classico – sia il più importante libro di musica non solo del 1995, ma di molti anni a venire»…
Veteran guitarist Larry Coryell's third High Note CD is primarily a bop-oriented quartet session with pianist John Hicks, bassist Santi Debriano, and drummer Yoron Israel. The music ranges from a superb arrangement of Joe Henderson's "Inner Urge" to a subtle take of Herbie Hancock's "Dolphin's Dance"; Debriano contributed the brisk samba "Abra Cadabra." The leader switches to acoustic guitar for his duet with Debriano of Ray Bryant's tasty blues "Tonk"; he also plays acoustic guitar during a solo take of his intricate "Turkish Coffee." Producer Don Sickler adds his potent trumpet to two numbers written by Harold Land: the hard-driving "Compulsion" and the more easygoing "Terrain." This very enjoyable session is heartily recommended.
In Memoriam. Larry Coryell, a guitarist who played rock 'n' roll as a teen but wound up pioneering jazz-rock fusion starting in the mid-1960s and then psychedelic fusion in the early '70s, died on Feb. 19. He was 73. RIP Mr. Coryell. In the 1970s, Germany's Radio Bremen simulcast a series of modern jazz concerts from all across the spectrum, and wisely archived them. Record producer Consul Bodo Jacoby was looking for a new project after losing the rights to reissue the MPS catalog and recalled them. His Promising Music label is issuing a number of these vintage performances in what he calls the Livelove series, of which January 1975 is the first volume.
Larry Conklin is an Acoustic Guitarist, Singer-Songwriter, an Instrumental Finger Stylist, a Slide Guitarist, an Interpreter of Traditional Blues and a Music Journalist. The ever-popular "Dolphin Grace" was proclaimed CD of the Month by the European journal "Audio".
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.