The soundtrack to Maleficent, a reimagining of Disney's Sleeping Beauty from the villain's perspective, puts the focus on James Newton Howard's foreboding yet witty score. Stormy brass and percussion duke it out with sparkling strings and woodwinds on pieces that range from the tumultuous ("Maleficent Suite," "Battle of the Moors," "Path of Destruction") to the light-hearted ("Welcome to the Moors," "Aurora and the Fawn"). Lana Del Rey rounds out the album with an equally eerie and alluring version of "Once Upon a Dream," which serves as a reminder as to why she's become one of the most in-demand soundtrack contributors of the 2010s.
An eclectic mix of American, African, and Caribbean music with strong rhythmic aspects. This CD has the ability to make the listener jump, dance, and listen, depending on what mood the individual is in while cruising the grooves. Leonard King was born in Detroit, Michigan where he has been able to absorb the multi-cultural musics of the entire metro area. He has performed with many artists such as Donald Byrd, Johnnie Taylor, Al Green, Herb Ellis, Barbara Dane, Eddie Kendricks, Pigmeat Markham, James Carter, and many others.
To say that this limited-edition six-LP Mosaic box is overflowing with classics is an understatement. Included are a variety of small-group sessions (with overlapping personnel) from the early days of Blue Note. The Edmond Hall Celeste Quartet has five songs that are the only existing examples of Charlie Christian playing acoustic guitar; clarinetist Hall, Meade Lux Lewis (on celeste), and bassist Israel Crosby complete the unique group. The king of stride piano, James P. Johnson, is heard on eight solos; other combos are led by Johnson, Hall (who heads four groups in all), trumpeter Sidney DeParis, and trombonist Vic Dickenson (heard in a 1952 quartet with organist Bill Doggett).