Moonlight in Vermont is a 1956 album by jazz guitarist Johnny Smith, featuring tenor saxophonist Stan Getz. Titled for Smith’s breakthrough hit song, it was the No.1 Jazz Album for 1956. It was popularly and critically well received and has come to be regarded as an important album in Smith’s discography, in the cool jazz genre and in the evolution of jazz guitar. Notable songs on the album, which reveal the influence of Smith’s experiences with the NBC Studio Orchestra, and as a multi-instrument musician, include the title track and the original composition “Jaguar”. The title track, singled out for its virtuosity, was a highly influential rendition of a jazz standard that secured Smith’s position in the public eye…
A great lost chapter in the career of organist Lonnie Smith — a session recorded in the 80s, but done with the simple straightforward soul jazz groove of earlier sides on Muse and Prestige ! Lonnie's working here in a loose and free trio format — with Melvin Sparks on guitar and the great Alvin Queen on drums — rolling out over longish tracks in an open-ended style that almost recalls more of the feel of Don Patterson's great organ trio sides than it does the heavier funk of Smith's early years. The recording quality is great — very faithful to the best tones of the Hammond.
"More Scared Of You Than You Are Of Me" is The Smith Street Band's fourth full length studio record. It is the follow up to their highly acclaimed album "Throw Me In The River. It is set to be released April 7, 2017, and will be available digitally, on CD, and on vinyl.
Collection includes: Roman Candle (1994); Elliott Smith (1995); Either/Or (1997); XO (1998); Figure 8 (2000); From A Basement On The Hill (2004); New Moon (2007).
Nate Smith‘s visceral, instinctive, and deep-rooted style of drumming has already established him as a key piece in reinvigorating the international jazz scene, and now his rising career reaches a new benchmark with the release of his bandleader debut, KINFOLK: Postcards from Everywhere (February 3, 2017 via Ropeadope Records). Much like his diverse and ample résumé (which includes esteemed leading lights such as Dave Holland, Chris Potter, Ravi Coltrane, José James, Somi, and Patricia Barber, among others), this album sees Smith fusing his original modern jazz compositions with R&B, pop, and hip-hop.
Groove great Kenny Burrell and Jimmy Smith (Hammond organ) together on the same album. Includes a rendition of "Fever." Three days of spare studio time while Smith was at work on a big-band date led to this highly enjoyable blowing session. The principals' interplay on the title-track sums up their whole musical relationship: punchy, bluesy but soaked in the good homour of playing for kicks.