Who's Afraid of Virginia Woolf? is a 1964 studio album by organist Jimmy Smith, released on the Verve label. Smith is accompanied by a big band with arrangements by Oliver Nelson and Claus Ogerman.
Reissue with SHM-CD format and new 24bit remastering. In 1957, Johnny Smith was at the height of his artistic power when he cut this album for the Roost label. Smith had a patented method for shifting from single-string statements of the melody line to complex chordal structures with amazing ease. This ability is put to use for each of the cuts on this album, but is especially useful on such cuts as "Angel Eyes" and "You Go to My Head." Smith's guitar also seemed to have a one of a kind resonance to it, which energized every melody he played, whether on the melody itself or when improvising, making his playing immediately recognizable.
The cantate francaise flourished during the first half of the eighteenth century. Morin and Bernier were among the most interesting early exponents of it, Campra, Monteclair, Clerambault and Rameau among the most impressive. Indeed, it is generally recognized that the cantate francaise reached its zenith in the hands of Clerambault. He is represented on this new disc by Le Soleil, vainqueur des nuages. It appeared in none of the composer’s five published collections of chamber cantatas but was issued separately in 1721
Dr. Lonnie Smith brings an album with SHM-CD format. On Evolution, Dr. Lonnie Smith returns to the Blue Note Records label with a unique project that enhances his legacy as one of the premier masters of modern music. With three new Smith originals (“For Heaven’s Sake”, “African Suite” and “Talk About This”) and exciting new arrangements of tunes such as Monk’s “Straight No Chaser”, “Play It Back” and “Afrodesia,” The Good Doctor and his cast offer plenty of surprises and invention along with a serious groove.
The great B3 organ master and conjurer of sound, Doctor Lonnie Smith, has made some great studio recordings, but he'll be the first to tell you that his music needs to be experienced live. The release of his brand new live recording The Healer marks the Doctor's first live recording since his landmark 1970 album Live At Club Mozambique. It showcases the great bandleader reinventing the possibilities of sound along with two young stars - guitarist Jonathan Kreisberg and drummer Jamire Williams. The Healer puts the listener front row center at a wild ride of a show that seamlessly blends jazz, fusion, hip hop, world music, and of course the B3 funk that Doc helped create. It also marks the launch of Pilgrimage Records, the good doctor's new completely artist controlled record label.