La Forza Del Perdono

La forza del contagio  eBooks & eLearning

Posted by Barvaz at June 8, 2018
La forza del contagio

La forza del contagio by Paolo Lucantoni
Italian | 2017 | ISBN: n/a | 263 pages | PDF | 11.9 MB
Giuseppe Patane, Orchestra del Teatro alla Scala, Montserrat Caballe, Jose Carreras - Verdi: La forza del destino (2011)

Giuseppe Patanè, Orchestra del Teatro alla Scala, Montserrat Caballé, José Carreras - Verdi: La forza del destino (2011)
NTSC 4:3 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 5 ch) | (Dolby AC3, 6 ch) | 192 min | 5,68 Gb+7,16 Gb (2xDVD9)
Classical | Label: Hardy Classic | Sub: English, Francais, Espanol, Italiano | Recorded: 1978

Montserrat Caballé as Leonora is precisely what one would hope for. The voice is in near-pristine shape–the occasional attack on a loud high note early on can be vicious, but she sings with unusual commitment (not that the role has many nuances), glorious tone, and her entire arsenal of tricks: long-breathed phrases, diminuendos, high, floated pianissimo, grand chest voice. She even sings most of the words, rarely relying on “ah” sounds for high notes. The sound is huge and major-league and her comportment–acting is the wrong word–is regal. She sings the “Vergine degli angeli” with her back to the audience and the sound is as ethereal as you ever wanted it to be.
James Levine, London Symphony Orchestra, Leontyne Price, Placido Domingo - Verdi: La Forza del Destino (1998)

James Levine, London Symphony Orchestra, Leontyne Price, Plácido Domingo - Verdi: La Forza del Destino (1998)
EAC | FLAC | Image (Cue & Log) ~ 838 Mb | Total time: 65:30+69:52+36:00 | Scans included
Classical | Label: RCA | # 74321 39502 2 | Recorded: 1976

Verdi's "La Forza del Destino" is a story of forbidden love, seduction, jealousy, honor and revenge. The opera was composed in 1862 and had its premiere in St. Petersburg. In this recording from 1976 with star cast (Leontyne Price in the role of Donna Leonora, Plácido Domingo as Don Alvaro and Sherrill Milnes as Don Carlo) under the direction of James Levine the beauty and attention to detail Verdi comes out particularly well. The London Symphony Orchestra and the John Alldis Choir provide the perfect musical accompaniment for the ensemble, which includes Fiorenza Cossotto, Bonaldo Giaiotti and Gabriel Bacquier. This recording is considered one of the best of Verdi's La Forza del Destino.
Gianluigi Gelmetti, Teatro Regio di Parma Chorus and Orchestra - Verdi: La forza del destino (2012) [Blu-Ray]

Gianluigi Gelmetti, Teatro Regio di Parma Chorus and Orchestra - Verdi: La forza del destino (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 178 min | 45,4 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 178 min | 9,62 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: Italian, English, German, French, Spanish, Chinese, Korean, Japanese

For "La forza del destino", Verdi created one of his most famous melodies, the "fate" motif that permeates the whole of the score. Music and action alternate in masterly fashion between large-scale crowd scenes and intimate interiority, in that way illustrating Verdi's real theme: the manner in which fallible human beings are destroyed by a cruel fate.
Daniel Goleman - La forza del bene. Il messaggio del Dalai Lama per una nuova visione del mondo

Daniel Goleman - La forza del bene. Il messaggio del Dalai Lama per una nuova visione del mondo
Italian | 2015 | 276 pages | ISBN: 8817081957 | EPUB | 1,3 MB
Marcello Flores - La forza del mito. La rivoluzione russa e il miraggio del socialismo

Marcello Flores - La forza del mito. La rivoluzione russa e il miraggio del socialismo
Italian | 2017 | 291 pages | ASIN: B06Y3JMSP1 | EPUB | 0,27 MB

Valery Gergiev - Verdi: La Forza del Destino (1997)  Music

Posted by tirexiss at May 16, 2017
Valery Gergiev - Verdi: La Forza del Destino (1997)

Valery Gergiev - Verdi: La Forza del Destino (1997)
EAC | FLAC (image+.cue, log) | Covers Included | 02:38:08 | 670 MB
Genre: Classical, Opera | Label: Philips | Catalog: 446 951-2

It is appropriate that the first recording of the first version of Forza should come from St Petersburg, where the work had its premiere in 1862. However, whilst the premiere was predominantly an Italian affair, this set is given entirely by Russian artists. The differences between this version and Verdi's 1869 revision for La Scala are marked: they are delineated by two essays in the accompanying booklet but even more discerningly in Julian Budden's indispensable The Operas of Verdi (in this case Vol. 2, Cassell: 1978). So it isn't necessary for me to rehearse here all the changes (even if I had the space to do so), only the main ones.
Francesco Molinari Pradelli, Orchestra del Teatro di San Carlo Napoli, R.Tebaldi, F.Corelli, Verdi: La Forza del Destino (2002)

Francesco Molinari Pradelli, Orchestra del Teatro di San Carlo Napoli, Renata Tebaldi, Franco Corelli, Verdi: La Forza del Destino (2002/1958)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 7.79 Gb (DVD9) | 160 min
Classical | Hardy Classic | Sub: English, Francais

“…Tebaldi proved at the Maggio Musicale at Florence in 1953 under Mitropoulos that Leonora was to be among her most successful roles, and here she confirms the fact in spades with her lustrous, effortlessly shaped and eloquent traversal of the role. By her side she has the incomparable Corelli, singing his first Don Alvaro, and revealing that his brilliant, exciting yet plangent tone is precisely the right instrument to project Alvaro's loves and sorrows. At this stage of his career his thrilling upper register and incisive delivery of the text were at their most potent, as he makes abundantly clear in aria and duet. As his antagonist, Bastianini sings with the kind of Verdian élan seemingly now extinct among his breed. He may not be the most subtle of Verdian baritones, but here his macho approach ideally suits Don Carlo's vengeful imprecations.” (Gramophone Classical Music Guide)
John Matheson, BBC Concert Orchestra, Martina Arroyo - Verdi: La Forza del Destino [2005/1981]

Verdi - La Forza del Destino (John Matheson, Martina Arroyo) [2005/1981]
Classical | Opera Rara ORCV304 | TT: 68.08+57.33+31.03 | EAC (flac, cue, log) | Covers | 663 Mb

“This marks the final offering from Opera Rara's laudable restoration of BBC broadcasts from the 1970s and '80s of Verdi's first thoughts on specific operas, and it is quite up to the standard of the series. It differs only in being given without an audience, and was broadcast two years after the recording. On disc we know the 1862 original Forza from Gergiev's Philips set recorded, appropriately enough, in St Petersburg. That version is by and large finely cast with Russian singers and excitingly conducted, but this one, featuring British artists and one North American, need hardly fear the comparison. John Matheson may be a slightly more measured interpreter than Gergiev but he is perhaps even more adept at disclosing the many subtleties in shaping the slightly sprawling score as a unified whole. His orchestra provides fine playing – special praise for the first clarinet before Alvaro's Act 3 solo – and the BBC Singers nicely characterise their roles.
Asher Fisch, Bayerischer Staatsorchester,  Anja Harteros, Jonas Kaufmann - Verdi: La Forza del Destino (2015) [Blu-Ray]

Asher Fisch, Bayerischer Staatsorchester, Anja Harteros, Jonas Kaufmann - Verdi: La Forza del Destino (2015) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 27184 kbps / 1080i / 29,970 fps | 178 min | 43,9 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3806 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 178 min | 9,69 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24 bits
Classical | Sony | Sub: Italian, English, French, German

Martin Kušej’s thrilling contemporary interpretation of Verdi’s late period opera proved the perfect vehicle for the Bavarian State Opera’s dream team of Jonas Kaufmann and Anja Harteros. The imposing sets’ references to terrorism and the implosion of modern civilization bring the opera’s inherent drama to a breathtaking pinnacle. Specialist promo & marketing activity.