La Petite Renarde Rusée

Quelques Pas Vers La Lumière - Tome 4 - La Mémoire Oubliée  Comics

Posted by Mendose at Aug. 18, 2017
Quelques Pas Vers La Lumière - Tome 4 - La Mémoire Oubliée

Quelques Pas Vers La Lumière - Tome 4 - La Mémoire Oubliée
French | CBR | 52 pages | 113 MB
Le Juge la République assassinée - tome 3 : Chronique d'une mort annoncée (2017)

Le Juge la République assassinée - tome 3 : Chronique d'une mort annoncée
French | CBR | 68 pages | 66 MB

Alexandre Sumpf, "La Grande Guerre oubliée"  eBooks & eLearning

Posted by TimMa at Aug. 14, 2017
Alexandre Sumpf, "La Grande Guerre oubliée"

Alexandre Sumpf, "La Grande Guerre oubliée"
Tempus Perrin | 2017 | ISBN: 2262069174 | French | EPUB | 608 pages | 10.3 MB

L'histoire inédite du front le plus meurtrier et oublié de la Grande Guerre.
L'histoire inédite du front le plus meurtrier, mais oublié, de la Grande Guerre. Si l'on connaît tout ou presque du conflit qui s'est déroulé en France, sait-on qu'en Russie, au même moment, 15 millions de soldats du tsar affrontent seuls trois empires ? …
Emanuele Severino - Gli abitatori del tempo. La tecnica tra Cristianesimo e marxismo (Repost)

Emanuele Severino - Gli abitatori del tempo. La tecnica tra Cristianesimo e marxismo
Italian | 2011 | 265 pages | ASIN: B00671HWPC | EPUB | 0,3 MB
Sigiswald Kuijken, La Petite Bande - Handel - Partenope [2009/1979]

Handel - Partenope (Sigiswald Kuijken) [2009/1979]
Classical | Deutsche Harmonia Mundi 88697529972 | TT: 192.20 | EAC (FLAC, cue, log) | Covers | 846 Mb

This is the best recording so far of Partenope. Krisztina Laki is splendid in the lead role as is Helga Muller-Molinari as Rosmira and John York Skinner as Armindo. Rene Jacobs in the counter-tenor role of Arsace does a fine job considering the date of this recording. The orchestra plays with great vitality. This is the recommended recording of this opera.
Sigiswald Kuijken, La Petite Bande - Handel: Alessandro [2011/1985]

Handel - Alessandro (Sigiswald Kuijken) [2011/1985]
Classical | Deutsche Harmonia Mundi 88697856552 | TT: 207.03 | EAC (FLAC, cue, log) | Covers | 927 Mb

A hit in its first run in 1726, in London and elsewhere, Alessandro has had less success in our day. It is a demanding and lengthy work. The story moves quickly and is fairly silly, and meant to be. This Alexander conquers Ossidraca during the overture, but manages to bungle his subsequent amatory assaults, which constitute the rest of the opera. All manages to end well for him in the nick of time, however, as a good lieto fine requires. The performance takes just over three hours, though Bernd Feuchtner, the author of the notes, claims that London audiences in 1726 were in the theater for five.
Sigiswald Kuijken, La Petite Bande - Rameau: Zoroastre [1990/1983]

Rameau - Zoroastre (Sigiswald Kuijken) [1990/1983]
Classical | Deutsche Harmonia Mundi GD77144 | TT: 183'53 | EAC (flac, cue, log) | Covers | 707 Mb

Zoroastre was first performed in Paris in 1749 and was, by and large, well received. But the librettist, Cahusac was taken to task by some for relegating the love element in the opera to a secondary place. When it was revived in 1756 Cahusac made shifts of emphasis within the plot and it is this version as it first appeared, rather than that which involved yet further small changes later in the season, which is performed here. The libretto deals with the conflict between Good and Evil or Light and Darkness central to Zoroastrianism. Oromases, King of the Genies, represents the former and has Zoroastre as his high priest, while Abramane, high priest of the Temple of Darkness represents the latter. The chief protagonists in the drama are Zoroastre and Abramane who vie for power, glory and love; their characters are skilfully and often strikingly portrayed by Rameau, whose score is richly endowed with bold dashes of colour.
Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)

Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415
Classical | WEB FLAC (tracks) & d. booklet | 74:27 min | 294 MB
Label: Challenge Classics | Tracks: 09 | Rls.date: 2017

Mozart conceived three piano-concerti K.413, 414 and 415 in 1782, one year after he had settled in Vienna as a more or less freelance musician. By then he had already composed four concertos for piano and orchestra, one for three (or two) pianos and orchestra, and another one for two pianos and orchestra. It was also the period in which he was working on his opera Die Entführung aus dem Serail, K.384 and on the first String Quartet No. 14, K.387 of the six dedicated to Haydn in 1785.
Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)

Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)
Classical | MP3 CBR 320 kbps | 01:14:34 | 171 MB
Label: Challenge Classics | Release Year: 2017

Mozart conceived three piano-concerti K.413, 414 and 415 in 1782, one year after he had settled in Vienna as a more or less freelance musician. By then he had already composed four concertos for piano and orchestra, one for three (or two) pianos and orchestra, and another one for two pianos and orchestra. It was also the period in which he was working on his opera Die Entführung aus dem Serail, K.384 and on the first String Quartet No. 14, K.387 of the six dedicated to Haydn in 1785.
La Petite Bande, Sigiswald Kuijken - Vivaldi: Le Quattro Stagioni (The Four Seasons) (2007)

La Petite Bande, Sigiswald Kuijken - Vivaldi: Le Quattro Stagioni (The Four Seasons) (2007)
EAC | FLAC (log,tracks+cue) -> 317 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 141 Mb (5% Rec.) | Scans -> 28 Mb
Classical | Label: Accent, ACC 24179 | 2007 | 0:59:13

With the sheer glut of recordings of Antonio Vivaldi's Four Seasons on the market, it takes some special approach to make yet another recording of this chestnut seem interesting and palatable. Because Sigiswald Kuijken and his cohorts, La Petite Bande, understand this enormous problem, they have resorted to two innovative ideas: first, to perform the four concertos in a streamlined chamber version that requires only three violins, viola, cello, and harpsichord; and second, to introduce the antique violoncello da spalla (shoulder cello) in their performances, mostly for the novelty of its reedy tone and for its possible historical usage in these particular pieces. Included on this 2007 release from Accent are also the Cello Concerto in D major, RV 403, and the Trio Sonata in D minor, "La Follia," RV 63, which frame the program neatly and give the listener something extra to consider in choosing this CD over others. –Blair Sanderson