LE Concert Des Nations

Jordi Savall & Le Concert des Nations - Tous les matins du Monde (2001) {Alia Vox CD & Bonus CD AV9821}

Jordi Savall & Le Concert des Nations - Tous les matins du Monde (2001) {Alia Vox CD & Bonus CD AV9821}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 694 Mb | MP3 @320 -> 326 Mb
Artwork @ 300 dpi (png) -> 151 Mb | 5% repair rar
© 2001 Alia Vox | AV9821 / BE-AV9821
Classical / Baroque / Chamber Music / Bass Viola da gamba

The 1991 French film Tous les matins du monde (All the Mornings of the World) attracted an audience of unexpected size for a story about French Baroque viol music, becoming a runaway hit in France and Germany and even gained wide distribution in the classical-chary U.S. The commercial ramifications grew with the release of the film's soundtrack, featuring early music giant Jordi Savall on viol; the soundtrack achieved platinum sales levels in its initial release. The film's story, built on a very few sketchy facts about the reclusive seventeenth century viol player known only as Monsieur de Sainte Colombe, drew viewers with its modern resonances touching on the conflict between art and popular success, and partly with its dramatic lighting reminiscent of the paintings of Louis le Nain. The soundtrack has a few pieces with vocals or with a small ensemble of other players.
Jordi Savall / Le Concert des Nations - Magnificat & Jubilate 2013 [HDTV 720p]

Jordi Savall / Le Concert des Nations - Magnificat & Jubilate 2013 [HDTV 720p]
AVC, 1280x720p (16:9), 7.6 mbps, 50 fps | AC3 448 kbps, 6 ch | 00:59:59 | 3.6 GB
Classical, Baroque, Sacred | arte HD | HDTV->TS

La Capella Reial de Catalunya & Le Concert des Nations, conducted by maestro Jordi Savall, perfrom sacred works by Vivaldi, Bach and Handel.
Le Concert des Nations (Jordi Savall) - L'Europe du Nord/North Europe 1714 - 1788 [HDTV 1080p]

Le Concert des Nations (Jordi Savall) - L'Europe du Nord/North Europe 1714 - 1788 [HDTV 1080p]
AVC, 1920x1080p (16:9), 10.9 mbps, 25 fps | AAC-LC, 2 ch, 384 Kbps | 01:21:52 | 6.7 GB
Classical, Baroque | Mezzo HD | HDTV->MP4

An orchestra with Reinessance/Baroque period instruments conducted by the Catalan maestro and viola da gamba virtuoso Jordi Savall, performs works of F.Couperin, G.P.Telemann, J.P.Rameau, C.P.E.Bach, J-M.Leclair, J.B.Lully, at 9th Festival de Musique et Histoire pour un Dialogue Interculture, a l'Abbaye de Fontfroide Narbonne 2014.
J.S. Bach - Les Gouts Reunis, Concerti et Suites pour Orchestre (Le Concert des Nations, Jordi Savall) 2013 [HDTV 1080i]

J.S. Bach - Les Gouts Reunis, Concerti et Suites pour Orchestre (Le Concert des Nations, Jordi Savall) 2013 [HDTV 1080i]
AVC, 1920x1080 (16:9), 10.7 mbps, 25 fps | AAC-LC 128-384kbps, 2 ch | 01:26:53 | 7.0 GB
Classical, Baroque | Mezzo HD | HDTV->MP4

Le Concert des Nations, directed by Jordi Savall, performs Bach's overtures and concertos, at 8e Festival de Musique et Histoire, a l'Abbaye de Fontfroide Narbonne 2013.
Jean-Philippe Rameau - L'Orchestre de Louis XV (Le Concert des Nations, Jordi Savall) (2011) [2CD] {Alia Vox}

Jean-Philippe Rameau - L'Orchestre de Louis XV (Le Concert des Nations, Jordi Savall) (2011) [2CD] {Alia Vox}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 654 Mb | MP3 @320 -> 258 Mb
Full Artwork @ 600 dpi (jpg) -> 172 Mb | 5% repair rar
© 2011 Alia Vox | AVSA 9882A+B
Classical / Orchestral

Following the success of the albums L’orchestre de Louis XIII (Philidor) and L’orchestre du Roi Soleil (Lully), Jordi Savall explores another dynastic opus, this time focusing on music by Jean-Philippe Rameau. Once again, Le Concert des Nations sparkles in these four orchestral suites, which exemplify the genius of the great French composer. With glistening orchestral colors and breathtaking virtuosity, Savall and his group demonstrate their special affinity with the repertoire of the XVIIIth century. Offered at a special low price, this high-resolution recording is a must-have for anyone interested in this repertoire.
Savall, Hespèrion XXI, Le Concert des Nations, Kaboul Ensemble - Ludi Musici (2007)

Jordi Savall, Hespèrion XXI, Le Concert des Nations, Kaboul Ensemble - Ludi Musici (2007)
Alia Vox AVSA 9853 | 2007 | ape (EAC Lame)+cue+no log OR mp3 160k vbr | 401 OR 109 MB
complete booklet scan 300 dpi 33 MB
Jordi Savall & Le Concert des Nations - Les Éléments: Tempêtes, Orages & Fêtes Marines 1674 - 1764 (2016) {2CD Alia Vox}

Jordi Savall & Le Concert des Nations - Les Éléments: Tempêtes, Orages & Fêtes Marines 1674 - 1764 (2016) {2CD Alia Vox AVSA9914}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 607 Mb | MP3 @320 -> 250 Mb
Full Artwork @ 300 dpi (jpg) -> 173 Mb | 5% repair rar
© 2015, 2016 Alia Vox | AVSA9914
Classical / Baroque / Orchestral

This double album is an invitation to explore the forces of nature, so vividly depicted by the composers at the turn of the XVIIth and XVIIIth centuries. With this stunning (and first) recording of Jean-Fery Rebel’s Les Elements, Jordi Savall displays his unmatched vision of the baroque orchestral repertoire, proving that authenticity and timbral beauty aren’t mutually exclusive. New recordings of works by Locke, Vivaldi, Marais, Telemann and Rameau - a splendidly varied and expressively wide-ranging selection - is a welcome addition to the existing landmark recordings made by Savall in this repertoire.
Jordi Savall & Le Concert des Nations - Henry Purcell - The Fairy Queen & The Prophetess - Orchestral Suites (2009) {Alia Vox}

Jordi Savall & Le Concert des Nations - Henry Purcell - The Fairy Queen & The Prophetess - Orchestral Suites (2009) {Alia Vox}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 360 Mb | MP3 @320 -> 148 Mb
Full Artwork @ 300 dpi (jpg) -> 102 Mb | 5% repair rar
© 2009 Alia Vox | AVSA 9866 | DSD mastering
Classical / Baroque / Suites

This is an SACD reissue on Alia Vox of a CD originally released in 1996 as Astrée 8717. Fans of Savall know that his conducting reflects similar values to his viola da gamba solos: a nuanced view of phrasing, exceptional attention to the beauty and clarity of textures, and a knowledge of appropriate embellishments. These qualities can be found in some of the outstanding slow movements on this disc, most notably “Love’s a Sweet Passion” from act III of The Fairy Queen . Savall’s version takes 3:06 to play; by comparison, Goodman/Parley of Instruments (Hyperion 67001) gives it to us at 1:34; and Gardiner/English Baroque Soloists (Archiv Produktion 992902) is not much longer. It isn’t that Savall’s Le Concert des Nations plays twice as much content, but that they inflect far more, slowing for embellishments to the theme, pausing at the climax of a phrase, or at its conclusion. It’s anyone’s guess which approach is more authentic, but I find Savall’s phrasing, along with a slightly lower pitch and predominance of darker string instruments, mines the natural melancholy of Purcell’s piece to greater advantage without danger of anachronism.
Biber - Battalia a 10, Requiem a 15 (Jordi Savall, Le Concert des Nations) [2002]

Biber - Battalia a 10, Requiem a 15 (Jordi Savall, Le Concert des Nations) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 280.98 MB
Classical | Label: AliaVox | Catalog Number: AV 9825

The Battalia à 10 is played with great style and charm here. I like the use of two theorbos and a harpsichord and organ on the continuo lines. I have several recordings of this work. Savall's approach is a little more polite than Goebel's and a little more atmospheric than Philip Pickett's quite raw sound. I like all of them. Savall's is, perhaps, the most beautiful recording, even though it doesn't take advantage of the musical effects Biber suggests with as much relish as Goebel or Pickett…
Jordi Savall & Le Concert Des Nations - Bach - Les Quatre Ouvertures (2012) [2CD] {Alia Vox}

Jordi Savall & Le Concert Des Nations - Bach - Les Quatre Ouvertures (2012) [2CD] {Alia Vox}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 616 Mb | MP3 @320 -> 252 Mb
Full Artwork @ 600 dpi (jpg) -> 286 Mb | 5% repair rar
© 2012 Alia Vox | AVSA 9890
Classical / Orchestral

There’s very little to say about this recording save throwing yet more encomiums Jordi Savall’s way: as with his other Bach recordings, this is a success. The warmly dark, coppery sound for which these forces are renowned is here in its full glory; Savall’s pacing is neither frenzied nor laborious; the audio clarity is stunning. Because Savall is such a renowned gamba player who has recruited great fellow string players to his projects (note one Fabio Biondi on violin), you might overlook stellar playing elsewhere in the ensemble. But there’s no way to ignore the wind section in the opening movement in the first suite: the exquisite phrasing and pitch-perfect tones demand to be heard (and heard repeatedly, at that), and the masterful playing becomes even more delightfully apparent in the extended oboe and bassoon solo in the same suite’s Bourée.