LE Concert Des Nations

Jordi Savall & Le Concert Des Nations - Les Grandes Eaux Musicales De Versailles (2005) {Alia Vox AV9842}

Jordi Savall & Le Concert Des Nations - Les Grandes Eaux Musicales De Versailles (2005) {Alia Vox AV9842}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 428 Mb | MP3 @320 -> 182 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb | 5% repair rar
© 2005 Alia Vox | AV 9842
Classical / Baroque

Each year the magical setting of the gardens of the Castle of Versailles (one of the most visited sites in France and, indeed, Europe) are the setting for a fairy-tale fountain display. Devised during the reign of Louis XIV, this impressive spectacle set to music reflected the power and the majesty of the King himself. This year, the musical programme has been entrusted to Jordi Savall, who has selected some of the finest treasures from the Alia Vox catalogue. This is a landmark album, a unique selection performed by the leading specialists in the repertoire, those same artists who popularised this music and contributed to the success that it enjoys today.
Jordi Savall & Le Concert Des Nations - Mozart - Serenate Notturne (2005) {Alia Vox AV9846}

Jordi Savall & Le Concert Des Nations - Mozart - Serenate Notturne (2005) {Alia Vox AV9846}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 355 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (jpg) -> 135 Mb | 5% repair rar
© 2005 Alia Vox | AVSA 9846
Classical / Viennese School / Orchestral

Loving performances caught in lovely sound, so what's not to love? Not, as it turns out, much, but not, regrettably, nothing at all. Jordi Savall, the gambist cum conductor who directs Le Concert Des Nations, is a genial, even affectionate leader who in these four light works of Mozart grants his players a considerable amount of interpretive freedom. Le Concert Des Nations, Savall's all-purpose classical and pre-classical chamber orchestra, responds with funny, even frothy, playing is as technically assured as it is brilliantly colorful. Alia Vox, Savall's label for everything he records from El Sabio to Monteverdi, catches the performances in a warm, natural, and deep acoustic of amazing vividness.
Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}

Jordi Savall & Le Concert Des Nations - Handel - Water Music & Music For The Royal Fireworks (2008) {Alia Vox AVSA 9860}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 300 dpi (jpg) -> 76 Mb | 5% repair rar
© 1993, 2008 Alia Vox | AVSA 9860
Classical / Baroque / Orchestral

This is a reissue of a recording from 1993 (re-released a few years ago and deleted in 2003), recently remastered for SACD, and it really impresses with a renewed presence and impact, even on standard CD playback. As I said in my original review, Savall's reading "comes as close as these things can to placing us in the best seat in the house and treats us to a rare experience: the sensation of believing we're hearing a ruggedly familiar piece for the first time. Literally bursting with energy, scintillating strings, blazing horns, and incisive winds, and never boring even for one second, these performances give you Handel at his most exciting." If you have the earlier release, you probably don't need this one–unless you now own an SACD system–but it does deserve a place in every Handel collection, not only for the unsurpassed performances, but also for the effect of Savall's several decidedly "non-standard" tempos(!), and of course for the phenomenal sound, which now must have reached its ultimate realism in this format.
Jordi Savall, Le Concert des Nations - Haydn: Septem Verba Christi in Cruce (2009)

Jordi Savall, Le Concert des Nations - Haydn: Septem Verba Christi in Cruce (2009)
PAL 16:9 (720x576) VBR | Latin (LinearPCM, 2 ch) | 7.34 Gb (DVD9) | 68 min
Classical | AliaVox | Sub: Francais, Deutsch, English, Espanol, Catalan, Italiano, Portugues

“…this live 2006 performance… is given in its original orchestral form in the location for which it was intended - the chapel of Santa Cueva in Cádiz… Played on period instruments the performance… expertly motivated by Jordi Savall, achieving a fine blend of solemnity and austerity with intimacy of feeling. …this is the ultimate in authentic performance.” (BBC Music Magazine)

Jordi Savall, Le Concert des Nations - Vivaldi: Farnace (2009)  Music

Posted by tirexiss at April 22, 2018
Jordi Savall, Le Concert des Nations - Vivaldi: Farnace (2009)

Jordi Savall, Le Concert des Nations - Vivaldi: Farnace (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 02:29:12 | 957 Mb
Genre: Classical, Opera | Label: Naïve | Catalog: OP30471

Farnace was apparently one of Vivaldi's favorite operas because he mounted numerous productions in various cities and wrote six versions of the score, more than of any of his other operas. The conventions of operatic vocal characterizations that came to be standard higher voices in the sympathetic roles and lower voices in villainous roles had not yet been established, and Farnace features a baritone and contralto in the heroic roles, with a soprano as the villain.
Le Concert des Nations, Jordi Savall - Haydn: Septem Verba Christi in Cruce (2007)

Le Concert des Nations, Jordi Savall - Haydn: Septem Verba Christi in Cruce (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 01:07:49 | 296 MB
Genre: Classical | Label: AliaVox | Catalog: 9854

Jordi Savall is strongly devoted, perhaps more so than any other conductor, to Franz Josef Haydn's Seven Last Words of Christ on the Cross in its orchestral version, the original incarnation of this masterwork; the familiar string quartet and less familiar solo keyboard and oratorio versions came later. Savall, as is his wont, strongly responds to any music with a historic connection to his native Spain; the commission for the Seven Last Words arrived from José Sáenz de Santmaría of the confraternity of the Hermandad, and it was first performed in Cádiz, the oldest continuously inhabited city in Western Europe.
Le Concert des Nations, Jordi Savall - J.S. Bach: Musikalisches Opfer (2001) (Repost)

Le Concert des Nations, Jordi Savall - J.S. Bach: Musikalisches Opfer (2001)
EAC | FLAC (image+.cue, log) | Covers Included | 71:57 | 480 MB
Genre: Classical | Label: Alia Vox | Catalog: AV 9817

This interpretation is a perfect match to Savall's equally beautiful Art of the Fugue. Here you find even more variety in the blend of instruments. I am not going to have only one version of this music and my first recommendation is Münchinger's more emotional recording on Decca. When it comes to colourful instrumentation, however, Savall is the winner, and the direction & playing needs no justification, it is simply wonderful, even if I doubt this folk music style reflects the spirit of the baroque era.
Jordi Savall & Le Concert des Nations - Haydn - Les sept dernieres paroles de notre Redempteur sur la Croix (1991) {ES 9935}

Jordi Savall & Le Concert des Nations - Haydn - Les sept dernières paroles de notre Rédempteur sur la Croix (1991) {Astrée ES 9935 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 132 Mb | 5% repair rar
© 1991, 1999 Astrée / Naïve | ES 9935
Classical / Viennese School / Sacred

In the semi-darkness within a grotto beneath the church of Santo Rosario in Cadiz, the bishop pronounced one of the seven Last Words of Christ, then, during the ensuing silence, the orchestra played… Commissioned from Haydn in 1786, these seven mystical sonatas, with their sombre melody, take their inspiration from the rhythm of each of the seven Words. Preceded by a noble Prelude and followed by an impressive Terremoto (Earthquake), there have been various versions (piano, string quartet, vocal), but here they are presented in the original version and with all the glowing colours of the Concert des Nations.
Jordi Savall, Le Concert des Nations, La Capella reial de Catalunya - Mozart: Requiem K626, Maurerische Trauermusik K477 (2010)

Jordi Savall, Le Concert des Nations, La Capella reial de Catalunya - Mozart: Requiem K626, Maurerische Trauermusik K477 (2010)
EAC | FLAC | Image (Cue & Log) ~ 260 Mb | Total time: 55:05 | Scans included
Classical | Label: Alia Vox | # AVSA 9880 | Recorded: 1991

The repertoire choices here seem curiously conservative, considering the course of Jordi Savall's career in recent years. The answer to that conundrum lies in the date of recording – 1991. Back then, Savall was a much more mainstream kind of period performance performer, so a disc of Mozart's Requiem would have seemed like a logical choice for him, especially given that the year marked the bicentenary of the composer's death.
Jordi Savall, Le Concert des Nations - Antonio Vivaldi & Francesco Corselli: Farnace (2002)

Jordi Savall, Le Concert des Nations - Antonio Vivaldi & Francesco Corselli: Farnace (2002)
EAC | FLAC | Image (Cue & Log) ~ 1.01 Gb | Total time: 70:04+66:00+39:13 | Scans included
Classical | Label: AliaVox | # AV 9822 A/C | Recorded: 2001

Farnace was apparently one of Vivaldi's favorite operas, because he mounted numerous productions in various cities, and wrote six versions of the score, more than of any of his other operas. The conventions of operatic vocal characterizations that came to be standard – higher voices in the sympathetic roles, and lower voices in villainous roles – had not yet been established, and Farnace features a baritone and contralto in the heroic roles, with a soprano as the villain. Soprano Adriana Fernández shines as the wicked Berenice, who is redeemed at the very last minute. She has a full, creamy voice that she deploys appealing agility and warmth. As Tamira, contralto Sara Mingardo sings with power, authority, and deep feeling. In the title role, baritone Furio Zanasi is appropriately heroic, with a rich, refined timbre and the expressive depth to create sympathy for the conflicted protagonist, but he doesn't always have the necessary strength at the bottom of his range. One of his arias, the lyrical and poignant "Gelido in ogni vena," is among the composer's loveliest creations.