The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.
A midprice reissue collecting this young French pianist s three baroque recordings. I fell in love with Tharaud s Rameau disc several years ago and never once missed the rattling sound of the harpsichord. Tharaud points out that Rameau s frequent ornamentation would have served to prolong notes on a harpsichord. This isn t necessary on a modern piano, and there s an incredible delicacy to the pianism here, with the trills and turns played with a barely credible lightness of touch. It s infectious stuff, with the witty character pieces from the Suite in G vivid and alive.