Coproduced with Siberia's Novosibirsk Opera, this new Macbeth uses cutting-edge multimedia technology to give the viewer a fresh perspective on the work. Google Earth satellite images plunge us into the heart of the action: a gloomy square surrounded by soulless buildings, and the interior of an aristocratic residence. Witches are no more a part of Tcherniakov's Macbeth that the duel was of Onegin, but once again the atmosphere is one of brooding claustrophobia. Tcherniakov has chosen a great cast, beginning with the marvellous Lithuanian soprano Violeta Urmana as Lady Macbeth. Greek baritone Dimitris Tiliakos is a powerful presence as Macbeth, while the Italians Ferruccio Furlanetto (bass) and Stefano Secco (tenor) are sumptuous as, respectively, Banquo and Macduff. In this, his second production at the Paris Opera, Teodor Currentzis, music director of the Novosibirsk Opera and Ballet Theatre conducts with verve and a splendid theatrical sense.
Thank you Kathleen Battle for making another masterful recording.Mozart's requiem is an excellent work,and this particular version is well recorded too.I just wish mozart wrote more music for the soprano to sing in his requiem.I must say that Verdi's requiem is the greatest ever composed,but thus far of all the requiems i've listened to,mozart's requiem must come in second.Mozart,you go boy!!Kathleen,you go girl!!!! Ps,requiems should be listened to especially on rainy evenings & nights with some introspective thoughts.Perhaps,mozart is now composing an anti-requiem for the afterlife..