This eleven CD box set from Korean violinist Kyung-Wha Chung combines her complete Warner Recordings produced in the period 1978/2000. Just to be clear: these are her recordings on EMI and not those released on Decca. Kyung-Wha Chung is an outstanding artist deserving of her elevated ranking in the pantheon of violinists and this set is a confident reminder of why she is so highly placed.
Chung's recording of two beloved Bruch (pieces) is filled with fervent youthful energy and at the same time fragile delicacy. Chung's ability to express the powerful energy not forgetting the detail always amazes me. Simply, the two Bruch recrdings are such a beauty that no word can describe.
One of the best classical cds!
Kyung Wha Chung does a wonderful job of expressing the small details of Max Bruch… All the energy is expressed, just as Bruch intended it to. A must have for all classical collections.- Amazon Reviewer
This was Kyung-Wha Chung's first recording, made when she was 22, just after her sensational London debut in the Tchaikovsky Concerto with the same orchestra and conductor. It is splendid. Only a young, radiantly talented player could make these two tired warhorses sound so fresh and vital; only a consummately masterful one could sail through their daunting technical difficulties with such easy virtuosity and perfection. Her tone is flawlessly beautiful, varied in color and inflection; she puts her technical resources entirely at the service of the music, giving every note meaning and honestly felt expression without exaggeration or sentimentality. The Tchaikovsky has charm, humor, sparkle; the slow movement is dreamy, wistful, and unmuted but subdued and inward. The Sibelius is dark and bleak but full-blooded, passionate, and intense. The orchestra sounds and plays better in the Sibelius.
Beethoven’s Triple Concerto, completed about the same time as the Eroica Symphony, has suddenly become popular. One reason for its previous lack of popularity was the fact that three soloists cost three times as much as one normally expensive pianist, violinist or cellist. Another reason is that the work seeks to be a popular success, hence the Rondo alla Polacca with which it concludes. The piano part was intended for Beethoven’s patron and pupil, the Archduke Rudolph von Habsburg, and hence is less technically demanding than the composer’s usual pianistic writing, destined for himself. The standard CD (previously LP) of the work was a spectacular performance and recording made by EMI many years ago with David Oistrakh, Rostropovich and Richter with the Berlin Philharmonic under Karajan. It was opulently played with the BPO’s luscious sound, but has little to do with what Beethoven would have heard in 1804. Another choice was the version of Stern, Rose and Serkin (Sony), less lush and not so high-powered as Karajan’s.
October 21, 2012 marks Sir Georg Solti's centenary and Decca is celebrating this with several important reissues. Sir Georg was an exclusive Decca artist for 50 years.
Continuing their Adagios series, the folks at Decca have combed the archives once again and assembled another soothing collection of beautiful melodies, Violin Adagios. This time the soulful sound of the violin takes center stage in a program of the most memorable slow-paced music written for the instrument. Opening with Kennedy's rendition of Massenet's mournful "Meditation" from Thaïs, the double-disc set continues with performances by legends like Arthur Grumiaux and Henryk Szeryng, along with newly minted stars such as Joshua Bell, Kyung-Wha Chung, and Leila Josefowicz. And all the essential composers – from Bach to Beethoven to Brahms – are represented, too, on this album in celebration of the violin, that most lyrical of instruments.Barnes & Noble