La nuova edizione di questo testo ormai classico di Paul Krugman e Maurice Obstfeld ha costituito per gli autori l'occasione per apportare cambiamenti rilevanti che riflettono gli importanti sviluppi che riguardano l'economia internazionale sia sul piano teorico che su quello operativo. Tra le diverse novità, gli autori hanno dedicato un nuovo capitolo al commercio internazionale, …
A Conspiracy Theory explains an event as being the result of an alleged plot by a covert group or organization or, more broadly, the idea that important political, social or economic events are the products of secret plots that are largely unknown to the general public. The term "conspiracy theory" is used to indicate a narrative genre that includes a broad selection of (not necessarily related) arguments for the existence of grand conspiracies. The term is frequently used by scholars and in popular culture to identify secret military, banking, or political actions. Conspiracy theories are based on the notion that complex plots are put into motion by powerful hidden forces.
Known to opera audiences worldwide, Camilla Tilling is also a dedicated recitalist. On two previous BIS releases, the Swedish soprano and her musical partner Paul Rivinius have interpreted Strauss as well as Schubert, to critical acclaim: 'Tilling takes her place among the leading Strauss sopranos of the day' (Sunday Times); 'a Schubert recital of rare pedigree' (Gramophone). On her present offering she turns northwards, interpreting songs by Grieg, Sibelius and Wilhelm Stenhammar. The disc takes its title from an early song by Stenhammar, I skogen ('In the forest'), and many of the selected songs are either played out in or depict natural settings, in a manner we are familiar with from Nordic composers.
Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”