Kristian Bezuidenhout Mozart: Keyboard Music Vols. 8

Kristian Bezuidenhout - Mozart: Keyboard Music Vols. 8 & 9 (2016)

Kristian Bezuidenhout - Mozart: Keyboard Music Vols. 8 & 9 (2016)
MP3 320 kbps CBR | 02:33:13 | 353 MB
Genre: Classical | Label: Harmonia Mundi

Fortepianist Kristian Bezuidenhout brings to a close his universally acclaimed Mozart cycle. The selections heard here range from the most famous (Sonata K545) to the least familiar (Fragments K312 and K400).
Kristian Bezuidenhout - Mozart: Keyboard Music Vol. 5 & 6 (2014) [Official Digital Download - 24bit/88.2kHz]

Kristian Bezuidenhout - Mozart: Keyboard Music Vol. 5 & 6 (2014)
FLAC (tracks) 24 bit/88.2 kHz | Digital Booklet | 2.44 GB
Genre: Classical | Official Digital Download - Source: Qobuz

With this double set encompassing volumes five and six, fortepianist Kristian Bezuidenhout completes his multi-disc survey of Mozart's music for solo keyboard. The first four volumes in the series have been met with the highest critical acclaim from around the world. On this collection Bezuidenhout performs a mix of Piano Sonatas, Variations and other works on a fortepiano by Paul McNulty that was modeled after an instrument made by the great instrument maker Anton Walter.

Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)  Music

Posted by peotuvave at Feb. 1, 2015
Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)
EAC Rip | Flac (Image + cue + log) | 4 CDs | Full Scans | 1.08 GB
Genre: Classical | Label: Harmonia Mundi

Fortepiano phenomenon Kristian Bezuidenhout begins his multi-volume traversal of Mozart’s music for solo keyboard.
Kristian Bezuidenhout - Mozart: Keyboard Music Vol 3 (2012) [Official Digital Download - 24bit/88.2kHz]

Kristian Bezuidenhout - Mozart: Keyboard Music Vol 3 (2012)
FLAC (tracks) 24 bit/88.2 kHz | Digital Booklet | 1.13 GB
Genre: Classical | Official Digital Download - Source: Qobuz

In Volume 3 of his widely acclaimed traversal of Mozart’s music for solo keyboard, fortepianist Kristian Bezuidenhout plays a modern reproduction of an 1805 Viennese instrument by Anton Walter. The programme includes the well-loved Sonata in F major K. 332, alongside Mozart’s very last composition for piano, the Variations K. 613. Kristian Bezuidenhout was born in South Africa in 1979. He began his studies in Australia, completed them at the Eastman School of Music in the USA and now lives in London. He is a frequent guest artist with the Freiburger Barockorchester, the Orchestre des Champs-Élysées, the Orchestra of the Eighteenth Century, Les Arts Florissants, the Royal Concertgebouw Orchestra, The English Concert, the Chamber Orchestra of Europe and Collegium Vocale Gent, in many instances assuming the role of guest director.
Kristian Bezuidenhout - Mozart: Keyboard Music Vol. 4 (2013) [Official Digital Download - 24bit/88.2kHz]

Kristian Bezuidenhout - Mozart: Keyboard Music Vol. 4 (2013)
FLAC (tracks) 24 bit/88.2 kHz | Digital Booklet | 1.25 GB
Genre: Classical | Official Digital Download - Source: Qobuz

On volume four of his widely acclaimed traversal of Mozart's music for solo keyboard, fortepianist Kristian Bezuidenhout performs on an instrument by Paul McNulty, modeled on a Viennese original by Anton Walter & Sohn (c.1805). The program includes Piano Sonatas in D major K.311 and G major K.283 and the lovely Variations on 'Je suis Lindor' in E flat Major, K.354. As with the other volumes in this exceptional series, Bezuidenhout brings out colors and shadings in these works that are only possible when performed on a fortepiano.

Bezuidenhout - Mozart: Keyboard Music Vol 7 (2015)  Music

Posted by newskl at Aug. 28, 2015
Bezuidenhout - Mozart: Keyboard Music Vol 7 (2015)

Bezuidenhout - Mozart: Keyboard Music Vol 7 (2015)
Classical | MP3 320kbps CBR | 1 CD | Full Scans | 175 MB
Label: Harmonia Mundi | Catalog Number: 907531 | Rls.date: 12th Jan 2015

In Volume 7 of his internationally praised Mozart cycle, Kristian Bezuidenhout includes two works influenced by Wolfgang's 1778 stay in Paris: the grandly proportioned Sonata in A minor, K310 and the dazzling Variations in C on 'Lison dormait', K264. Kristian Bezuidenhout was born in South Africa in 1979. He studied at the Eastman School of Music, where he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson, and continuo playing and performance practice with Paul O’Dette. He now lives in London. Bezuidenhout is a frequent guest artist with all of the principal period ensembles and orchestras of Europe, often assuming the role of guest director, and he collaborates regularly with many of today’s most celebrated artists.
Kristian Bezuidenhout, Petra Mullejans - Mozart: Piano Concertos K 453 & 482 (2012) [Official Digital Download - 24bit/96kHz]

Kristian Bezuidenhout, Petra Mullejans - Mozart: Piano Concertos K 453 & 482 (2012)
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 1.28 GB
Genre: Classical | Official Digital Download - Source: Qobuz

Mozart places melody at the very heart of his concertos. Introverted and sometimes uncertain at the start of K453, it is subsequently transmuted into birdsong - foreshadowing Papageno - and leads to a finale worthy of an opera buffa. Imbued with majesty in K482 (contemporary with Le nozze di Figaro), it takes on a tinge of bitterness in the work's slow movement, before returning to more joyful melodic motifs, one of which will recur in Cosi fan tutte. Never have opera and concerto been so close. Partnering with the Freiburger Barockorchester, acclaimed fortepianist Kristian Bezuidenhout brings out all of the singing lines and sparkling bravura of these two great concertos.

Kiri Te Kanawa - Mozart- Sacred Music [1990]  Music

Posted by Aregak at Feb. 26, 2017
Kiri Te Kanawa - Mozart- Sacred Music [1990]

Kiri Te Kanawa - Mozart- Sacred Music (Colin Davis) [1990]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 341 MB
Classical | Label: Elite Classics | Catalog Number: AS-164-A | TT: 01'16'’40

While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess in Le nozze di Figaro, she made her first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role immediately in San Francisco and at Glyndebourne. The thwarted Donna Elvira in Don Giovanni followed, again under Davis at Covent Garden, before Kiri took her Countess to the Met in New York in February 1976, and sang her first Fiordiligi in Paris, in a production by Jean-Pierre Ponnelle. The Paris Opera was also the location of Kiri’s debut as Pamina in Die Zauberflöte in 1977. Her leap into superstardom came when she sang at the wedding of Prince Charles and Diana in July 1981…
Davitt Moroney - William Byrd The Complete Keyboard Music: Box Set 7CDs (1999)

Davitt Moroney - William Byrd The Complete Keyboard Music: Box Set 7CDs (1999)
Classical | MP3 CBR 320 kbps | 1,14 Gb | Booklet 67 Mb
Label: Hyperion UK | Release Year: 1999

This is one of the monuments of recorded music, a magnificent undertaking. Everything Moroney touches comes up sparkling; it is perfect in every detail: musical, academic, technical, you name it.
This disc received the 2000 Gramophone magazine award for "Best Early Music Recording."
Mozart – Night Music (Andrew Manze & The English Concert) (2003) [SACD-R][OF]

Mozart – Night Music (Andrew Manze & The English Concert) (2003) [SACD-R][OF]
Classical, Orchestral | SACD ISO: DSD64 2.0, DST64 5.1 > 1-bit/2.8224 MHz | Artwork | 3.35 GB
Label: Harmonia Mundi | Release Year: 2003

The title of this exceptional disc, “Night Music”, should not be taken to mean that the performances are in any way dark, mysterious, droopy, sluggish, or otherwise conventionally “nocturnal”. Rather, the term evokes its 18th century musical meaning: a time for fun, relaxation, parties, entertainment both indoors and out, and of course, romance. Indeed, “Romantic” is perhaps the best way to describe these virtuosic, impulsive, and extravagantly expressive performances by the inimitable Andrew Manze and his team of crack “authentic-instrument” players.