Ray Mantilla's Space Station is his regular group and works mostly in Europe. Although tied to the bebop tradition, Mantilla's soloists are actually much more modern, closer to post-bop than to hard bop. Because the septet works together often, they have developed their own fresh material which consists mostly of originals by Mantilla and pianist Eddy Martinez. The only standard on the date is a ballad version of "The Man I Love."
This is a mish mash of songs done by stars and faded stars. Some of these artists and songs may have gone down in obscurity if not for the producers of these CDs. The uniqueness is in most of the arrangements of the familiar songs that for the most part have been done better by others. There are a few no names that will tweak your interest. Good enhanced remastering.
Relationship of Command is the third studio album by the post-hardcore band At the Drive-In, and was released in September 2000. The band reached mainstream success through the album, if only for a short time before their break-up in 2001. The album combines an aggressive hardcore edge with a melodic drive, harmonious and emotive vocals, and surreal lyrics. While the album continues in the alternative style of At the Drive-In's previous albums, Relationship of Command is seen as a more well-rounded album than its predecessors. Initially received positively by critics, the album is now seen not only as one of the most influential post-hardcore albums of the decade but also as one of the most accomplished recent works in the wider rock spectrum. Relationship of Command was voted 12th out of 100 in the Albums of the Decade by NME, and the 37th most influential album of all time by Kerrang!
Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation was one of the better known, though solid reception on tours did not translate into heavy record sales. Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era that had produced that group's A Hard Road album, though with a somewhat more downbeat ton…